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Performer: New York Philharmonic Orchestra

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New York CityNew York Philharmonic at Carnegie Hall 1

Carnegie Hall Corporation
Hailstork, Adams, Sibelius
New York Philharmonic Orchestra; Susanna Mälkki; Branford Marsalis

New York CityNew York Philharmonic at Carnegie HallUS premiere

Carnegie Hall Corporation
Debussy, Muhly, Wagner
New York Philharmonic Orchestra; Jaap van Zweden; Katia Labèque; Marielle Labèque

New York CityNew York Philharmonic & Igor Levit

Carnegie Hall Corporation
Brahms, Bartók
New York Philharmonic Orchestra; Jaap van Zweden; Igor Levit
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PyongyangThe Pyongang concert

Wagner, Dvořák
New York Philharmonic Orchestra; Lorin Maazel
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New York Phil and Esa-Pekka Salonen at The Shed: a new beginning

As Esa-Pekka Salonen reaffirmed in his brief introductory statement, “nothing can replace the ritual of a live event”.
****1
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Louis Langrée makes his New York Philharmonic debut

Three of the pieces that Louis Langrée conducted in his New York Philharmonic debut concerts were similarly atmospheric and impressionistic, stealing each other’s thunder. Happily, the Scriabin was cathartic.

***11
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Welser-Möst leads the New York Philharmonic in Widmann and Strauss

In his first New York Philharmonic engagement since 2000, Franz Welser-Möst pairs Jörg Widmann's Babylon Suite with Strauss' Sinfonia domestica
****1
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Ellen Reid premiere and Renée Fleming steal the show from Bruckner 4

Ellen Reid’s evocative new work and Renée Fleming’s set of songs from her album “Distant Light” were the highlights of a program that included an uninspiring Bruckner Fourth Symphony.

***11
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Stunning Brahms from Janine Jansen eclipses NY Phil premiere

Janine Jansen and the New York Philharmonic gave a transcendent, once-in-a-lifetime performance of the Brahms Violin Concerto. Tania Leòn’s new work and a Strauss suite paled in comparison.

*****
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A timely Mother of Us All at the Metropolitan Museum

The Mother of Us All isn’t an easy work and it’s far from one of Stein’s best pieces of writing. But in this centenary of women’s suffrage, it’s an important one.
***11
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