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Performer: Nikolaj Szeps-Znaider

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BambergBamberg Symphony: 75th Anniversary

© Andreas Herzau
Bamberg Symphony; Jakub Hrůša; Nikolaj Szeps-Znaider

DresdenDie Fledermaus

Strauss II: Die Fledermaus
Nikolaj Szeps-Znaider; Günter Krämer; Dresden State Opera; Gisbert Jäkel; Falk Bauer; Hans-Joachim Ketelsen; Annette Dasch

ParisNelson Freire plays Grieg

Schumann, Grieg, Strauss R.
Orchestre National de Lyon; Nikolaj Szeps-Znaider; Nelson Freire
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BrusselsMendelssohn: Violin Concerto in E Minor

Brussels Philharmonic
Mendelssohn, Schumann
Brussels Philharmonic; Nikolaj Szeps-Znaider; Marc Bouchkov

LeipzigBeethoven’s Violin Concerto in D major

Beethoven: Violin Concerto in D major, Op.61
Leipzig Gewandhaus Orchestra; Riccardo Chailly; Nikolaj Szeps-Znaider
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Szeps-Znaider and Thibaudet in ebullient Saint-Saëns and Tchaikovsky

Jean-Yves Thibaudet © Andrew Eccles

A French of first half of Berlioz and Saint-Saëns – the latter with Jean-Yves Thibaudet – preceded Nikolaj Szeps-Znaider’s own suite from Tchaikovsky’s Sleeping Beauty.

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Luminous Beethoven and impetuous Connesson in Bruges

Nikolaj Szeps-Znaider © Lars Gundersen
Denève and the Brussels Philharmonic launched into Guillaume Connesson’s Flammenschrift with enough excitement and energy to illuminate the whole city.
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A memorable and thrilling debut for Philippe Jordan with the LSO

Nikolaj Szeps-Znaider © Lars Gundersen
Vitality and contrast characterised Jordan's memorable performance of a colourful and passionate Slavic programme
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Nikolaj Znaider plays Tchaikovsky with Atlanta Symphony Orchestra

Nikolaj Znaider © Lars Gundersen
Cristian Măcelaru joins forces with Nikolaj Znaider in a performance of Tchaikovsky's Violin Concerto with the Atlanta Symphony Orchestra.
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Cleveland Orchestra majestic in Beethoven and Elgar

Nikolaj Znaider © Lars Gundersen
Nikolaj Znaider led The Cleveland Orchestra in two works that shared a key but were otherwise quite disparate: Beethoven’s Emperor Concerto with Yefim Bronfman, and Elgar’s Second Symphony.
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Energy and eloquence from Elder and the LSO in Elgar's Second Symphony

Sir Mark Elder © Benjamin Ealovega
In the sublime funeral march of the Larghetto Elder set a daringly slow tempo, producing a cumulative, sorrowing eloquence as each LSO section tossed its melodic tribute on to the passing cortège.
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