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Straussian pastoral: Daphne at the Staatsoper Unter den Linden

Romeo Castellucci's new production of Daphne for the Staatsoper reflects on our relationship with nature, subverting the perspective of Richard Strauss' opera.
To die in order to live: Castellucci's Resurrection
Following his Requiem at the 2019 Aix Festival, Romeo Castellucci surprises us with the purity and humility of his Mahler Second, conducted remarkably by Esa-Pekka Salonen.
A hole in the heart: Salzburg Festival’s new Don Giovanni
The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving.
Barocktage opens with a murder: Scarlatti’s Il primo omicidio
Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.
À Aix, un Requiem entre danse des vivants et prière universelle

Le retour de la production du chef-d'œuvre de Mozart mis en scène par Romeo Castellucci et dirigé par Raphaël Pichon marque toujours autant les esprits.
Requiem de Mozart dominado por lo visual a cargo de Castellucci

Romeo Castellucci firma esta producción y capitanea una escenificación potente, incisiva, aunque poco emocional donde la archiconocida misa de difuntos transmuta a un canto por la celebración de la vida.
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ParisMoses and Aron

Schoenberg: Moses and Aron
Philippe Jordan; Romeo Castellucci; Opéra national de Paris; Orchestre de l'Opéra national de Paris
