Yeol Eum Son’s Britten Piano Concerto formed the evening’s centre of gravity, played with lucid line, structural command and sudden fire. In Brahms’ Second Symphony, Sakari Oramo found conviction, proportion and a warmth that felt earned rather than applied.
Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.
A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.
Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.
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