Thoroughly modern Macbeth: Third World Bunfight's Macbeth in Vancouver

In Auckland, macbEth: the opera succeeds not only as a work of art, but also as a conduit for understanding of a frequently ignored and tragic conflict and an unforgettable reflection on the harsh realities of post-colonial Africa"

Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale. 

The Opéra de Lyon presents Britten’s masterpiece for the first time: a triumph, both visually and musically, which is received with great enthusiasm by the audience.

A new production of Les Enfants terribles at the Opéra de Lille drags the audience into a terribly marvelous labyrinth, courtesy of conductor Virginie Déjos and directors Matthias Piro and Lisa Moro.

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.