Heard side by side, these two Stabat Maters, neither of which is a typical example of its kind, make for an evening of striking contrasts under conductor Valentina Peleggi.
A key feature of New’s Mahler is the ability to keep everything cohesive across the long span of the works as witnessed in this account of the Sixth Symphony.
The NZSO are on sparkling form in Puccini arias and other operatic orchestral passages; Eliza Boom shows her potential as a Puccini singer of the future.
Centred around Scriabin’s mystical Poem of Ecstasy, a thrilling journey through the byways of twentieth century music takes in New Zealand, Finland and France.
Simon is an operaphile based in Auckland, New Zealand. He wrote his
dissertation on Japanese popular music. With a background in piano and
classical music retail, he spends his time attending as much
opera or vocal concert as he can and blogs at
irishenceaway.blogspot.com.
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