Energetic Mozart and Beethoven from Manchester Camerata

Martin Owen, Gábor Takács-Nagy and Manchester Camerata

Gábor Takács-Nagy conducts Manchester Camerata

By Leighton Jones, 25 May 2025

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Reviewed at Stoller Hall, Manchester on 23 May 2025

Mozart, Horn Concerto no. 3 in E flat major, K447

Mozart, Horn Concerto no. 4 in E flat major, K495

Beethoven, Symphony no. 7 in A major, Op.92

Martin Owen, French horn

Manchester Camerata

Gábor Takács-Nagy, Conductor

Bavouzet’s Manchester Mozart cycle reaches its epic peak

Leighton Jones, 20th September

All good things must come to end, but Manchester Camerata's Mozart piano concerto cycle did so in exceptional style in Stoller Hall.

*****

Aakash Odedra’s Songs of the Bulbul premieres in Edinburgh

Kathy Elgin, 9th August

Based around the Sufi myth of the bulbul, a bird said to sing more sweetly as it approaches death, Odedra's new work brings together North Indian Kathak dance, Sufi myth and Islamic poetry.

****1

OperaUpClose's Flying Dutchman becomes chillingly contemporary

Nick Boston, 7th July

OperaUpClose's vision of a dystopian England through Wagner's Flying Dutchman, distilled for chamber forces, receives strong performances from the cast and Manchester Camerata players.

***11

Manchester Camerata and Jess Gillam on superb form in Buxton

Peter Connors, 19th July

Two fascinating and hugely entertaining recent pieces started a superb concert by the strings of the Manchester Camerata, joined by Jess Gillam in Glazunov's Saxophone Concerto and the Brodsky Quartet in Elgar's Introduction and Allegro. Tchaikovsky crowned the concert.

*****

More Mozart, made in Manchester from the Camerata

Rohan Shotton, 25th March

Gábor Takács-Nagy and Jean-Efflam Bavouzet tackle Mozart's Piano Concertos nos. 24 and 25 with the Manchester Camerata with their usual panache.

****1

Joyful music-making from Kadesha and the Manchester Camerata

Peter Connors, 3rd December

Five diverse pieces from Central Europe are united by humour and fine perfomances by Jovan Ilias Kadesha as soloist and director of the Manchester Camerata.

****1

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Leighton Jones

Leighton has extensive teaching experience from early years to postgraduate level music. Currently he works as a primary music specialist, visiting instrumental teacher and examiner. As a pianist, he was inspired to play after hearing Moura Lympany at a young age and has a large collection of her recordings. Leighton’s postgraduate studies focussed on his interest in 20th-century English orchestral music, with particular study of Britten, Rawsthorne, Walton and Vaughan Williams. A keen choral singer he has developed a comprehensive knowledge of chiefly British choral music.