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ENO's new Tosca has conceptual flaws, but delivers on the music

Sinéad Campbell-Wallace (Tosca), Adam Smith (Cavaradossi) and Noel Bouley (Scarpia)
© Genevieve Girling
Sinéad Campbell-Wallace (Tosca) and Adam Smith (Cavaradossi)
© Genevieve Girling
Noel Bouley (Scarpia) and ENO Chorus
© Genevieve Girling
Adam Smith (Cavaradossi) and Sinéad Campbell-Wallace (Tosca)
© Genevieve Girling
Noel Bouley (Scarpia) and Sinéad Campbell-Wallace (Tosca)
© Genevieve Girling
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“the modernism of Cavaradossi’s ideals versus the buttoned layered corsetry of Scarpia’s tyranny”
Reviewed at The London Coliseum, London on 30 September 2022
Puccini, Tosca
Leo Hussain, Conductor
Christof Loy, Director
Christian Schmidt, Set Designer, Costume Designer
Olaf Winter, Lighting Designer
English National Opera Orchestra
English National Opera Chorus
Georg Zlabinger, Associate Director
Uta Baatz, Associate Costume Designer
Sinéad Campbell Wallace, Floria Tosca
Adam Smith, Mario Cavaradossi
Roland Wood, Baron Scarpia
Noel Bouley, Baron Scarpia
Msimelelo Mbali, Cesare Angelotti
John Findon, Spoletta
Ossian Huskinson, Sciarrone
Lucia Lucas, Sacristan
ENO’s Mahagonny: biting, bleak, brilliantly executed satire
*****
Taken for a ride: an energetic revival of Così fan tutte at ENO
****1
Cocteau-esque camp: Alden’s Partenope returns to ENO
****1
Dead Man Walking at English National Opera: a superb execution
*****
Comedy falls flat in ENO's season opening Cinderella
**111
ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance
****1
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