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ENO's new Tosca has conceptual flaws, but delivers on the music

Sinéad Campbell-Wallace (Tosca), Adam Smith (Cavaradossi) and Noel Bouley (Scarpia)
© Genevieve Girling
Sinéad Campbell-Wallace (Tosca) and Adam Smith (Cavaradossi)
© Genevieve Girling
Noel Bouley (Scarpia) and ENO Chorus
© Genevieve Girling
Adam Smith (Cavaradossi) and Sinéad Campbell-Wallace (Tosca)
© Genevieve Girling
Noel Bouley (Scarpia) and Sinéad Campbell-Wallace (Tosca)
© Genevieve Girling
Laden, bitte warten...
Veranstaltung anzeigen
“the modernism of Cavaradossi’s ideals versus the buttoned layered corsetry of Scarpia’s tyranny”
Rezensierte Veranstaltung: The London Coliseum, London, am 30 September 2022
Puccini, Tosca
Leo Hussain, Musikalische Leitung
Christof Loy, Regie
Christian Schmidt, Bühnenbild, Kostüme
Olaf Winter, Licht
English National Opera Orchestra
English National Opera Chorus
Georg Zlabinger, Associate Director
Uta Baatz, Associate Costume Designer
Sinéad Campbell Wallace, Floria Tosca
Adam Smith, Mario Cavaradossi
Roland Wood, Baron Scarpia
Noel Bouley, Baron Scarpia
Msimelelo Mbali, Cesare Angelotti
John Findon, Spoletta
Ossian Huskinson, Sciarrone
Lucia Lucas, Mesner
Glass' Echnaton der ENO
*****
Stacheldraht und Haferschleim: ENOs Forza del destino
***11
Wagners Meistersinger in Topqualität
*****
ENO’s Mahagonny: biting, bleak, brilliantly executed satire
*****
Taken for a ride: an energetic revival of Così fan tutte at ENO
****1
Cocteau-esque camp: Alden’s Partenope returns to ENO
****1
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