Glorious chamber music from Martha Argerich and friends in Hamburg

By Zoltán Szabó, 30 June 2021

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“With Capuçon, Argerich formed a brilliant pairing to dazzle with this distinctly odd sonata”

Reviewed at Laeiszhalle: Großer Saal, Hamburg on 28 June 2021

Beethoven, Piano Trio no. 5 in D major "Ghost", Op.70 no.1

Casals, El cant dels Ocells (Song of the Birds)

Schubert, Rondo Brilliante for piano and violin in B minor, D.895

Schumann, Frauenliebe und -leben, Op.42

Beethoven, Violin Sonata no. 8 in G major, Op.30 no.3

Margulis Trio

Adrian Iliescu, Violin

Dong Hyek Lim, Piano

Dorothea Röschmann, Soprano

Elena Bashkirova, Piano

Renaud Capuçon, Violin

Martha Argerich, Piano

Argerich, Maisky and the elixir of youth

Mark Pullinger, 6th February

Martha Argerich and Mischa Maisky's duo recital at Wigmore Hall turns into a trio... and offers the London audience a rare opportunity to hear the Argentinian pianist play solo.

****1

Sinning on a Sunday: Argerich, Mehta and the Vienna Philharmonic

Chanda VanderHart, 17th March

In the sacred golden temple that is the Musikverein, Martha Argerich plays Ravel's saucy Piano Concerto in G major, before the Philharmoniker and Zubin Mehta play Bruckner's Seventh Symphony.

****1

Stars, slapstick and soul: Martha Argerich joins the Rotterdam Phil

Eleanor Knight, 28th September

Soaring choral music precedes the arrival of Martha Argerich for a daredevil account of Shostakovich's First Piano Concerto with RPhO Principal Trumpet, Alex Elia.

*****

Argerich and Dutoit demonstrate that vitality is ageless

Edward Sava-Segal, 18th September

Martha Argerich returns to the Enescu Festival for one of the pillars of her repertory, Prokofiev's Third Piano Concerto, in a buoyant performance.

***11

Gustav Mahler Jugendorchester and Martha Argerich in Évian

David Karlin, 2nd July

Argerich shows her full artistry, while Europe's young musicians show impressive coordination and dynamics, if short of emotion in Beethoven 7.

****1

Clumsy Liszt, listless Berlioz from Barenboim and the Staatskapelle

Mark Pullinger, 7th March

Some conductors get better with age, ripening like fine wines, but age wearies others. Daniel Barenboim’s decline is difficult to bear.

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.