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Fact file
| Composer | Debussy, Claude (1862-1918) |
| Period | Early 20th century |
| Work type | Opera / Oratorio |
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PraguePelléas et Mélisande
Debussy: Pelléas et Mélisande
Patrick Fournillier; Christof Loy; Prague National Theatre Opera; Herbert Murauer; Valerio Tiberi; Prague National Theatre Orchestra
BerlinPelléas et Mélisande
Debussy: Pelléas et Mélisande
François-Xavier Roth; Ruth Berghaus; Staatsoper Berlin; Hartmut Meyer; Staatskapelle Berlin; Staatsopernchor Berlin
EnschedeImpressions de PelléasNew production
Debussy: Pelléas et Mélisande
Benjamin Perry Wenzelberg; Joe Hill-Gibbins; De Nederlandse Reisopera; Singers from the Dutch National Opera Studio
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Aldeburgh Festival dives in at the deep end with Pelléas et Mélisande
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Rory Kinnear directs a minimally semi-staged performance of Debussy's problematic opera at Snape Maltings, but Ryan Wigglesworth and the BBC Scottish SO provide the detail.
Romeo Castellucci directs a new Pelléas et Mélisande at La Scala
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The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.
Pelléas et Mélisande as a dark, shining fairy tale in Geneva
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A maximalist production of Pelléas et Mélisande at Geneva's Grand Théâtre shines, but tries a little too hard.
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ParisPelléas et Mélisande
Debussy: Pelléas et Mélisande
Antonello Manacorda; Wajdi Mouawad; Opéra national de Paris; Emmanuel Clolus; Emmanuelle Thomas; Eric Champoux
TurinPelléas et MélisandeConcert performance
Debussy: Pelléas et Mélisande
Juraj Valčuha; Orchestra Sinfonica Nazionale della Rai; Sandrine Piau; Guillaume Andrieux; Paul Gay
Latest articles
From our French editor: ode to the diehards
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Lockdown, anti-infection measures, curfew, second lockdown. One trial follows another for a live performance world which, in spite of it all, holds its head high and produces repeated miracles.
A mirror into the soul: Stefan Herheim on Pique Dame
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During rehearsals for his production of The Queen of Spades at the Royal Opera, Norwegian director Stefan Herheim reflects on his art, his frustrations with the industry and his impending move to Vienna.