Work type: Unknown

Brautigam bridged Wilms and Beethoven at the fortepiano, while Farrenc’s First Symphony added symphonic breadth, all shaped by the assured playing of the Kölner Akademie under Michael Alexander Willens.

Forwards? Backwards? Upside down? All three at once? From Machaut to Pärt, Ensemble 360 considers the relationship between musical structures and varieties of mathematical pattern.

Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.

An afternoon that belongs to the exuberant partnership of the Royal Philharmonic Concert Orchestra, the Brighton Festival Chorus and the spirit of music-making everywhere. 

Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.