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Work type: Vocal

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LondonLawrence Power / Ryan Wigglesworth

Wigmore Hall
Tchaikovsky, Stravinsky, Enescu, Brahms
Lawrence Power; Ryan Wigglesworth

ParisAdèle Charvet

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Marçot, Milhaud, Various
Orchestre de Picardie; David Reiland; Adèle Charvet

AmsterdamSchubert's Winterreise

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Schubert: Winterreise (W. Müller), D.911
Matthias Goerne; David Fray

AmsterdamThe soul of Bach

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Bach J.C., Kuhnau, Bach, Telemann
Netherlands Bach Society Orchestra; Bart Naessens; Stefanie True; Alexander Chance; Anders Dahlin; Tobias Berndt

ViennaCamilla Nylund • Helmut Deutsch

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Boulanger, Dvořák, Strauss R., Sibelius
Camilla Nylund; Helmut Deutsch

ViennaOrchester Wiener Akademie Jubiläumskonzert

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Bach
Orchester Wiener Akademie; Martin Haselböck; Johanna Rosa Falkinger; Hannah Fheodoroff; Daniel Johannsen; Alexandre Baldo
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Víkingur Ólafsson and the Philharmonia launch The Anvil's season

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Involving performances of standard repertoire by the Philharmonia open Basingstoke’s international concert season. 

****1
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Pitch perfect: Petrenko conducts Dusapin, Zimmermann and Brahms

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At this year's Musikfest Berlin, Kirill Petrenko conducts his Berliner Philharmoniker in a devilishly intricate programme. 
****1
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Enescu Festival immersion: Bach on the street, Klimt in the forest

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At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.
****1
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Gustavo Dudamel opens the New York Philharmonic season

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Joined by pianist Yunchan Lim, the opening concert of Gustavo Dudamel’s season as the orchestra's Music and Artistic Director Designate features exhilarating performances from the American repertoire.
****1
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Fiesta! Philippe Jordan’s Spanish postcard from the Festival Ravel

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Born to a Basque mother just ten miles from the Spanish border, Ravel excelled at authentic Spanish flavours as heard in this splendid festival concert by the Orchestre National de France.
*****
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At Festival Ravel: tilting at windmills

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Don Quixote provides the inspiration for songs by Ravel and Ibert, the high point of a bitty programme in contrast to an early evening recital which followed the perfect trajectory.
***11
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