| Monday 13 July 2026 | 18:00 |
| Thursday 16 July 2026 | 19:00 |
| Saturday 18 July 2026 | 18:00 |
| Tuesday 21 July 2026 | 19:00 |
| Saturday 25 July 2026 | 18:00 |
| Tuesday 28 July 2026 | 19:00 |
| Bavarian State Opera | ||
| Stefano Montanari | Conductor | |
| Johanna Wehner | Director | |
| Benjamin Schönecker | Set Designer | |
| Ellen Hofmann | Costume Designer | |
| Bayerisches Staatsorchester | ||
| Saskia Kruse | Dramaturgy | |
| Jeanine De Bique | Soprano | Alcina |
| John Holiday | Countertenor | Ruggiero |
| Jessica Niles | Soprano | Morgana |
| Avery Amereau | Mezzo-soprano | Bradamante |
| Julian Prégardien | Tenor | Oronte |
| Gerrit Illenberger | Baritone | Melisso |
| Carine Tinney | Soprano | Oberto |
A secretive empire, ruled by a legendary queen – Alcina is all things at once: strong, powerful, clever and beguilingly beautiful. Again and again, she seduces strange men, who follow her call, onto her island, and again and again Alcina hopes without end to find true love. But her dream always ends in disappointment. The traces of past loves are strewn across the land – former suitors are now magically transformed and held captive in the island’s flora and fauna. But when Ruggiero lands on the island, Alcina is convinced – this is the right one! Meanwhile another “man” appears. Ruggiero’s fiancé Bradamante, disguised as her brother, Ricciardo, and searching for Ruggiero. When Alcina’s magic then also begins to gradually disappear, everything goes topsy-turvy.
“He is master of us all”, declared Joseph Haydn in 1791 speaking about Georg Friedrich Handel. And without doubt, the magic-opera Alcina is indeed one of his most masterful scores. It was his second opera after Ariodante for the rebuilt Covent Garden Theatre – and was configured for London audiences’ sensation-mongering. But of course it is not just the stage effects that make this work so special. Handel wrote colourful music and drew differentiated characters, who range clearly across and beyond the usual scope of baroque opera and its character typecasting. This is precisely where director Johanna Wehner really gets going. She sees Alcina not merely as ruler and sorceress, both rather also as human, fallible, hurt – constantly compelled to live up to a reputation. A woman that must function, however longs for true love, and is constantly injured and disappointed. And so for Wehner one question in particular is at the core of it all: How much do I have to be, to be enough?
Tickets: € 161 / 125 / 89 / 47 / 35
