Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungary
Dates/times in Budapest time zone
Saturday 22 November 2025 | 11:00 |
Saturday 22 November 2025 | 18:00 |
Wednesday 26 November 2025 | 18:00 |
Thursday 27 November 2025 | 18:00 |
Wednesday 03 December 2025 | 18:00 |
Wednesday 10 December 2025 | 18:00 |
Friday 19 December 2025 | 19:00 |
Programme
Mozart, Wolfgang Amadeus (1756-1791) | Die Zauberflöte (The Magic Flute) | Libretto by Emanuel Schikaneder |
Performers
Hungarian State Opera | ||
Péter Halász | Conductor | |
Miklós Szinetár | Director | |
Péter Horgas | Set Designer | |
Rita Velich | Costume Designer | |
Hungarian State Opera Orchestra | ||
András Nádasdy | Choreography | |
Hungarian State Opera Chorus | ||
Gábor Csiki | Choirmaster / chorus director | |
Hungarian State Opera Children's Chorus | ||
Nikolett Hajzer | Choirmaster / chorus director | |
Istvan Horvath | Tenor | Tamino |
Gergely Ujvári | Tenor | Tamino |
Polina Pasztircsák | Soprano | Pamina |
Zita Szemere | Soprano | Pamina |
Lőrincz Judit | Soprano | Queen of the Night |
Regina Koncz | Soprano | Queen of the Night |
Csaba Sándor | Bass-baritone | Papageno |
István Kovács | Bass | Sarastro, First Priest, Second Armoured Man |
András Palerdi | Bass | Sarastro, First Priest, Second Armoured Man |
Péter Fried | Bass | Sarastro |
Natália Tuznik | Soprano | First Lady |
Zsófia Kálnay | Mezzo-soprano | Second Lady |
Anna Csenge Fürjes | Mezzo-soprano | Third Lady |
Eszter Zemlényi | Soprano | Papagena |
Anija Lombard | Soprano | Papagena |
Attila Erdős | Bass | Monostatos |
Tibor Szappanos | Tenor | Second Priest, First Armoured Man |
The combination of Mozart's marvellous music and Schikaneder's coming-of-age storyline has something to tell us at every stage of life. No matter if you are discovering or rediscovering the work as a young lover, a parent, or with the wisdom of old age, this blend of the ethereal and riveting entertainment is always thrilling to watch. Miklós Szinetár's production is suffused with the opera's rich world of symbolism, with the sun always rising at the end.