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Welcome to June’s Bachtrack Edition, where we put the spotlight on a selection of our reviews, stories and images from the past month.
A birthday reimagining of Il viaggio a Reims in Salzburg
© SF | Monika Rittershaus
Dada Masilo’s Hamlet at Sadler’s Wells: inimitable mix of wisdom and audacity
© Lauge Sorensen
The Met’s Frida y Diego proves visually stunning, musically thrilling
© Marty Sohl | Met Opera
At NYCB, Fairchild bids adieu in her final performances of Coppélia
© Erin Baiano
Viennese splendour in Garsington Opera’s Rosenkavalier revival
© Julian Guidera
Northern Ballet’s Gentleman Jack: brave but bland at Sadler’s Wells
© Colleen Mair
Barbora Horáková directs an ambitious update of Dialogues of the Carmelites in Prague
© Petr Neubert
The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark
© Paul Marc Mitchell
No strings attached: Rossini’s Tancredi as a Sicilian puppet show in Rome
© Fabrizio Sansoni | Teatro dell'Opera di Roma
Charisma without fanfare: spellbinding Gewandhausorchester in Vienna’s Musikverein
© Gewandhaus | Martin Seifert
Praying for better: Richard Jones’ clunky Samson et Dalila returns to Covent Garden
© RBO | Mihaela Bodlovic
© SF | Monika Rittershaus
© Lauge Sorensen
© Marty Sohl | Met Opera
© Erin Baiano
© Julian Guidera
© Colleen Mair
© Petr Neubert
© Paul Marc Mitchell
© Fabrizio Sansoni | Teatro dell'Opera di Roma
© Gewandhaus | Martin Seifert
© RBO | Mihaela Bodlovic
Composer Erkki-Sven Tüür talks about his music, and how living on the secluded island of Hiiumaa in western Estonia has shaped his creativity.
Photo of the month
Louise von Garnier’s hypnotic Belle in Philip Glass’ La Belle et la Bête, captured by photographer Jan-Pieter Fuhr at Staatstheater Augsburg.
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