An evening of unfailing interest that flagged up the wonders of both David Owen Norris and Lawrence Power in variable performances of classic scores by Vaughan Williams.
English choral classics from 100 years ago, contrasted with a confident and effective new piece by Laura Mvula, all given strong performances by the BBC Singers and Sakari Oramo.
Edinburgh Fringe’s late-night candlelit atmosphere: a packed St Patrick’s for a lovely Fauré Requiem from St Andrew Camerata and beautiful and haunting The Last Exit for soprano and clarinet at Old St Paul’s.
Marking the centenary of the end of the First World War, Anna Meredith and 59 Productions' work proves a powerful, often surprisingly upbeat, commission.
Ralph Vaughan Williams' towering A Sea Symphony and the orchestra of the Norwegian National Opera and Ballet capped off the Oslo opera season in a singularly loud fashion.
Andrew Manze conducted the Royal Liverpool Philharmonic Orchestra in two English choral pieces; Stephen Hough brought a fitting conclusion to his Beethoven concerto cycle as artist-in-residence.
Bergen Philharmonic’s programme of Grieg’s Piano Concerto and Gubaidulina’s violin concerto Offertorium offered fascinating insight into the relationship between orchestra and soloist.
Julius Drake, Krzysztof Chorzelski and Mark Padmore contributed their notable gifts of piano, viola and voice respectively in a very special, often heartfelt fundraising evening for two music education charities.
Marking his debut with the NDR Elbphilharmonieorchester, Andrew Manze nails his colours to the mast with Purcell and Vaughan Williams as well as accompanying Alban Gerhardt in Walton.
A delectable programme from Barry Wordsworth and the Royal Philharmonic Orchestra with pieces by Elgar and Vaughan Williams and a rare chance to hear John Ireland’s eclectic Piano Concerto.
A striking performance of The Planets had people humming their favourite bits on their way out of the hall, but the real winner was Vaughan Williams’ neglected valedictory symphony.
This week’s subscription concerts of the Sydney Symphony Orchestra featured only British music that was composed in the last century; three very different works in terms of compositional approach and musical language.
Kancheli, Martinů and Vaughan Williams – all of whom have at various times been misunderstood or ignored – featured in this bold programme from Vladamir Jurowski and the LPO.
Music from Vaughan Williams is contrasted with two pieces from Dobrinka Tabakova in The Scottish Ensemble’s candlelit concert, Ascent. Senior NYOS strings swell the ranks to produce a reflective evening of richness and warmth.
A moving first half of Vaughan Williams and Tchaikovsky and a mysterious Shostakovich 15 in the second half. Andreas Brantelid's superlative musicianship wowed.
The summer’s extreme heat and lack of rain have created drought conditions in Atlanta. As fate would have it, the Atlanta Symphony Orchestra this week programmed two works drenched with water, albeit of the salty variety.
A varied concert of new music by Anthony Payne, Max Bruch's 1st Violin Concerto with Ray Chen, a Tchaikovsky rarity and a rousing early work by Vaughan Williams
To mark the centenary of the Battle of the Somme, Mark Elder and the London Symphony Orchestra brought together music with a connection to the First World War.
“If music be the food of love, play on, give me excess of it.” There was certainly plenty of Shakespeare-inspired music on the bill for the London Philharmonic Orchestra's celebration of The Bard.
A superb concert from the Hallé and Sir Mark Elder included John Casken's 2014 oboe concerto Apollinaire's Bird, a rare piece by Elgar and Vaughan Williams' powerful Fourth Symphony.
Wednesday night saw the masterful rendition of British songs, by the legendary baritone at Manchester’s Bridgewater Hall, part of the ‘Echoes of a Mountain Song’ series.
