Una autómata Coppél-i.A de Les Ballets de Monte-Carlo en el Liceu

By Maria Sánchez, 30 July 2023

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Reviewed at Gran Teatre del Liceu: Auditorium, Barcelona on 26 July 2023

Coppél-i.A. (Jean-Christophe Maillot)

Les Ballets de Monte-Carlo

Jean-Christophe Maillot, Director

Les Ballets de Monte-Carlo: Cendrillon through a psychological lens

Elsa Giovanna Simonetti, 15th February

A deeply psychological version of the fairytale, Jean-Christophe Maillot's Cendrillon provides ample opportunities for the whole cast to delve into their characters and rise to the technical challenges.

****1

World ballet stars and future talents at Ballet Nights’ Decadance

Vikki Jane Vile, 4th February

Ballet Nights is an ambitious dance project that began two and a half years ago and was the brainchild of founder, Jamiel Devernay-Laurence. Lots to applaud while celebrating its tenth programme.

****1

Les Ballets de Monte-Carlo’s Ma Bayadère is a stunning reinvention

Elsa Giovanna Simonetti, 27th December

Splendid and impeccable, endowed with striking virtuosity, the corps de ballet functions both as choir and living scenography, accompanying and sustaining the protagonists. Ma Bayadère in Monte-Carlo is spectacular.

****1

Exciting new talents at Ballett am Rhein in a versatile new programme

Vikki Jane Vile, 23rd March

After a more traditional direction from the new leadership of Ballett am Rhein in their season opener, new programme Kaleidoskop is a mixed selection that sees a fusion of contemporary and neoclassical choreography.

****1

Les Ballets de Monte-Carlo dazzle in a new triple bill

Deborah Weiss, 24th April

Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

****1

La Belle: Monte-Carlo's response to a classical Beauty is magical

Deborah Weiss, 28th April

Full of invention and originality, this up-to-date version of The Sleeping Beauty is entertaining and emotionally absorbing.

****1

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Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

¿Sueñan los coreógrafos con bailarines eléctricos? Una autómata Coppél-i.A de Les Ballets de Monte-Carlo en el Liceu