Sacralidad vocal en el Palau con Balthasar Neumann Chor & Orchestra

By Maria Sánchez, 12 March 2026

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Reviewed at Palau de la Música, Barcelona on 11 March 2026

Palestrina, Sicut cervus

Palestrina, Missa sine nomine

Donati, Sicut cervus

Bruckner, Mass no. 2 in E minor, WAB 27

Balthasar-Neumann-Chor

Balthasar-Neumann-Ensemble

Lionel Sow, Conductor

The Carsen effect: brilliant Iphigénie in Paris

Tristan Labouret, 22nd June

The Canadian director's aesthetic is a perfect fit for Gluck's work. Dazzling performances by Gaëlle Arquez and Stéphane Degout. Great musical direction by Thomas Hengelbrock.

*****

An early start to Easter: Bach in Oslo

Aksel Tollåli, 17th March

The Balthasar-Neumann-Chor and Ensemble performed a deeply moving, if slightly uneven, St John Passion, setting off the Oslo Church Music Festival.

****1

Pablo Heras-Casado explores Monteverdi in Barcelona

Pep Gorgori, 9th February

Having received excellent reviews for his Mahler, Verdi, Wagner and Shostakovich, Pablo Heras-Casado decided to programme a composer he has loved since his youth: Claudio Monteverdi.

****1

Orpheus and Eurydice at Teatro Real

Fernando Remiro, 12th July

Almost 40 years after its première, Pina Bausch's daring reinterpretation of the myth of Orpheus still captivates audiences worldwide. This tanzoper is one of the most accomplished attempts to create a contemporary tragedy, an enthralling reflection on human boundaries and the acceptance of death.

****1

Pina Bausch lives: Orpheus and Eurydice at the Lincoln Center

Stephen Raskauskas, 20th July

Two years after her untimely death, the world is still celebrating of one of the most influential figures of contemporary dance – Pina Bausch.

****1

Steffani's Niobe, Regina di Tebe at Covent Garden

David Karlin, 25th September

In 2008, conductor Thomas Hengelbrock rediscovered Niobe, Regina di Tebe, written in 1687 by the Venetian-born, German-based composer Agostino Steffani. Although now little remembered, Steffani was a world-famous composer in his day and a man of many talents who became a diplomat and bishop as well as being a musician.

*****

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Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

Sacralidad vocal en el Palau de la Música: la Balthasar Neumann Chor & Orchestra