Don Carlo y las cruces del Teatro Real

By David Santana Cañas, 21 September 2019

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Reviewed at Teatro Real: Sala Principal, Madrid on 19 September 2019

Verdi, Don Carlo(s)

Nicola Luisotti, Conductor

Sir David McVicar, Director

Robert Jones, Set Designer

Brigitte Reiffenstuel, Costume Designer

Michele Pertusi, Filippo II

Dmitry Belosselskiy, Philippe II

Andrea Carè, Don Carlo

Marcelo Puente, Don Carlos

Simone Piazzola, Rodrigo, Marchese di Posa

Luca Salsi, Rodrigue, marquis de Posa

Rafał Siwek, Il Grande Inquisitore

Ainhoa Arteta, Elisabetta di Valois

Silvia Tro Santafé, La Principessa Eboli

Fernando Javier Radó, Un frate

Natalia Labourdette, Tebaldo, Thibault

Moisés Marín, Il Conte di Lerma

Leonor Bonilla, Una voce dal cielo

Andrew George, Choreography

Coro Titular del Teatro Real

Orquesta Titular del Teatro Real

Andrés Máspero, Choirmaster / chorus director

Axel Weidauer, Revival Director

The Ring returns to the Rhine: Götterdämmerung at La Scala

Laura Servidei, 1st February

Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

Sir David McVicar’s psychologically driven Salome arrives in Chicago

Graham Meyer, 25th January

Revived at Lyric Opera of Chicago, the notorious opera director’s take stirs sympathy for Salome, but leans on some of his theatrical hobby-horses

****1

The Magic Flute returns in triumph to the Royal Opera House

Christopher Woodley, 10th October

Sir David McVicar's classic staging of The Magic Flute, now over 20 years old, shines afresh in a stylish performance conducted by Marie Jacquot, making her Covent Garden debut.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Klaus Florian Vogt a successful Siegfried at La Scala

Laura Servidei, 21st June

McVicar’s most successful Ring chapter yet: Siegfried convinces with beautiful imagery and a stellar cast, with Alexander Soddy at the baton.

****1

Faust at The Royal Opera: competent but uninspiring

David Karlin, 23rd May

Stripped of its original superstar casting, Gounod’s grand opera provides entertainment but fails to cohere.

***11

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David Santana Cañas

David Santana (Bilbao, 1996) comienza sus estudios de música en la especialidad de fagot en el Conservatorio Juan Crisóstomo de Arriaga de Bilbao. En 2014 se traslada a Madrid, donde cursa el grado en Musicología en la Universidad Complutense de Madrid y continúa y finaliza sus estudios musicales de fagot en el Conservatorio Adolfo Salazar de Madrid. Actualmente se encuentra ampliando su formación con la realización del Máster de Investigación de Música Española e Hispanoamericana en la UCM.

El Teatro Real abre la temporada con un espectacular Don Carlo