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Sokolov vuelve a cautivar al público madrileño con un programa inolvidable

By Jorge Baeza Stanicic, 03 March 2022
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Reviewed at Auditorio Nacional de Música, Madrid on 28 February 2022
Programme
Beethoven, 15 Variations and fugue for piano in E flat major "Eroica Variations", Op.35
Brahms, 3 Intermezzi for piano, Op.117
Schumann, Kreisleriana, Op.16
Performers
Grigory Sokolov, Piano
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Grigory Sokolov probes Purcell at the Concertgebouw
Laurence Vittes, 4th June
Purcell, Mozart... then a half hour of encores. Grigory Sokolov holds the Concertgebouw spellbound. 
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A dazzling display of formidable technique
Mark Valencia, 23rd July
Colours poured in through a metaphorical stained glass window in Verbier's church.
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Worshipping at the shrine of Sokolov in Verbier
Mark Pullinger, 26th July
Musical pilgrims gathered in Verbier's church to listen to the cult Russian pianist in a programme of Schumann and Chopin. 
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Grigory Sokolov in recital at the Wiener Konzerthaus
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Grigory Sokolov’s annual visit to the Konzerthaus – always in December, always half-lit, always a lengthy affair – is an object of cultish appreciation for the Viennese, who are drawn to mystique like moths to a flame.
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Moderne Renaissance: Grigory Sokolov spielt William Byrd in Köln
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Grigory Sokolov bringt – erfolgreich – Werke des englischen Renaissance-Komponisten William Byrd in die Gegenwart.
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Grigory Sokolov laisse perplexe à Bozar
Patrice Lieberman, 10th December
Si le pianiste a l’art de concocter des programmes originaux, il se montre aussi curieusement imprévisible, capable de sublimes fulgurances comme d’inexplicables lourdeurs.
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More reviews...
Read reviews of
15 Variations and fugue for piano in E flat major "Eroica Variations", Op.353 Intermezzi for piano, Op.117Grigory SokolovJohannes BrahmsKreisleriana, Op.16Ludwig van BeethovenRobert Schumann
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Jorge Baeza Stanicic
Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.