La Bamberger Symphoniker vuelve a triunfar en Ibermúsica

By David Santana Cañas, 27 January 2023

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“un timbre brillante y un fraseo muy claro y emocional gracias a una excelente gestión de los matices”

Reviewed at Auditorio Nacional de Música, Madrid on 24 January 2023

Beethoven, Leonore Overture no. 3, Op.72b

Stravinsky, Violin Concerto in D major

Dvořák, Symphony no. 8 in G major, Op.88

Bamberg Symphony

Jakub Hrůša, Conductor

Patricia Kopatchinskaja, Violin

Hrůša and the Bamberg Symphony with Bomsori Kim in Seoul

SangKwon Lee, 1st June

Tradition reborn with thrilling clarity: Jakub Hrůša’s Bambergers light up Seoul: Wagner’s shimmering overture, Bomsori Kim’s impassioned Bruch, and a lucid yet explosive Beethoven Seventh.

****1

Hrůša and the Bamberg Symphony bring Brahms and Dvořák to Edinburgh

Roy Westbrook, 7th August

Brahms and Dvořák were colleagues, rivals and friends... and the Bamberg Symphony can lay claim to both.

****1

Hrůša, Grimaud and the Bamberg Symphony dazzle at Carnegie Hall

Susan Stempleski, 24th April

In his Carnegie Hall debut, the young Czech conductor leads a meaty and memorable program of Brahms and Wagner, with joined by Hélène Grimaud for Robert Schumann’s sole Piano Concerto.

*****

Hrůša and the Bambergers find the measure of the Mahlerian universe

Tristan Labouret, 16th January

Visiting the Philharmonie de Paris, the Bavarian orchestra and their chief conductor deliver a legendary Mahler 9.

*****

Dancing with history: Bamberg Symphony at Dvořák’s Prague

Frank Kuznik, 21st September

The Bamberg Symphony returns to its roots with Jakub Hrůša conducting high-energy gems from the Czech repertoire.

****1

Daniel Harding and the Bamberg Symphony give Schumann his due

Cameron Kelsall, 4th March

Despite extraordinary legato singing and transparent text work, Christian Gerharer offered an oddly mannered interpretation of the Rückert-Lieder.

***11

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David Santana Cañas

David Santana (Bilbao, 1996) comienza sus estudios de música en la especialidad de fagot en el Conservatorio Juan Crisóstomo de Arriaga de Bilbao. En 2014 se traslada a Madrid, donde cursa el grado en Musicología en la Universidad Complutense de Madrid y continúa y finaliza sus estudios musicales de fagot en el Conservatorio Adolfo Salazar de Madrid. Actualmente se encuentra ampliando su formación con la realización del Máster de Investigación de Música Española e Hispanoamericana en la UCM.