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Capable of being defiant when needed, Kopatchinskaja impresses with the seemingly infinite timbral variety of her pianissimos.

Cellist Sol Gabetta founded the Solsberg Festival to make music with like-minded people in a historically significant space and arranges programmes by, and with, select musicians.

This was Tchaikovsky raw and fierce as if he had written it, as he might have, for a young lover.

There is a very strong bond between two interpreters that approach music with the same unbridled passion

Not even the BAFTAs going on next door offered the star quality on display in the QEH.

Patricia Kopatchinskaja and the Tonhalle Orchestra Zurich under conductor Teodor Currentzis brought the audience to its feet with works by Alban Berg and Dmitri Shostakovitch.

A questionable performance of Schumann's Violin Concerto was redeemed by lively interpretations of Beethoven's Third Symphony and Tchaikovsky's 1812 Overture.

The violinist Patricia Kopatchinskaja's endless curiosity was on display at a recital of duos with cellist Jay Campbell at the Park Avenue Armory. 

An absorbing programme of violin and piano duos from Patricia Kopatchinskaja and Polina Leschenko saw captivating performances of Webern, Bartók and Ravel with an interesting edge in Schumann.

Teodor Currentzis, bad boy of early music, appeared at the Konzerthaus Berlin with Patricia Kopatchinskaja and MusicAeterna for a performance that turned it up to 11.

The Grim Reaper swept the aisles of the Royal Festival Hall in Vladimir Jurowski's latest programme in the Southbank Centre’s “Belief and Beyond Belief” series which explores faith and spirituality. 

Schumann's Violin Concerto is a relative rarity in the concert hall, but Patricia Kopatchinskaja's performance did little to suggest a neglected masterpiece.

As long as the beginning and the end of a performance come together, will anyone remember the grievances in between? 

Three substantial works from 1800, 1913 and 2008 in an enterprising and unusual combination, performed by the London Phlharmonic Orchestra conducted by Markus Stenz, and with the Moldovan violinist Patricia Kopatchinskaja as soloist.

A blazing performance by violinist Patricia Kopatchinskaja and a mildly disappointing Mozart Requiem round off New York’s annual Mostly Mozart Festival

Jurowski, Kopatchinskaja and the LPO entrance with a varied and imaginative programme.

Marton Illés ist im Gegensatz zu Bruno Maderna ein vollkommen unpolitischer Komponist, für den es nur eine Art von Musikhören gibt: den Genuss von Klangenergie.

Kirill Petrenko zeigt Großes und Unbegrenztes in Tschaikowskys Fünfter Symphonie.

L’Orchestre de Paris s’adjoignait mercredi la violoniste Patricia Kopatchinskaja pour un concert consacré à deux maîtres de la musique hongroise : Béla Bartók et Péter Eötvös, au pupitre de direction ce soir.

La Sinfónica de Galicia abrió su nueva temporada en la compañía de la violinista Patricia Kopatchinskaja que presentó el infrecuente Concierto op.36 de Arnold Schönberg, completó el programa otra impactante obra, la Sinfonía núm. 11 de Shostakovich.

Wiener Festwochenzeit ist Experimentierzeit: das Experiment des doppelten Konzertabends gelingt.

Kopatchinskaja brachte Prokofjews wunderbare Melodien intensiv zum Leuchten, konnte aber auch gegen Ende des ersten Satzes eine Spannung aufbauen, die es mit jedem Krimi aufnahm.

La OSG ofreció un original y coherente programa que nos hizo volar desde el anhelo psicológico del concierto de violín de Schumann, de la mano de Kopatchinskaja hasta la espirituralidad de Harvey, para concluir con el romántico de Brahms.

Patricia Kopatchinskaja und die Camerata Salzburg - kann sich hier Harmonie einstellen? Meine Zweifel sollten auf eindrucksvolle Weise zerstreut werden.