Patricia Kopatchinskaja and the Tonhalle Orchestra Zurich under conductor Teodor Currentzis brought the audience to its feet with works by Alban Berg and Dmitri Shostakovitch.
A questionable performance of Schumann's Violin Concerto was redeemed by lively interpretations of Beethoven's Third Symphony and Tchaikovsky's 1812 Overture.
An absorbing programme of violin and piano duos from Patricia Kopatchinskaja and Polina Leschenko saw captivating performances of Webern, Bartók and Ravel with an interesting edge in Schumann.
Teodor Currentzis, bad boy of early music, appeared at the Konzerthaus Berlin with Patricia Kopatchinskaja and MusicAeterna for a performance that turned it up to 11.
The Grim Reaper swept the aisles of the Royal Festival Hall in Vladimir Jurowski's latest programme in the Southbank Centre’s “Belief and Beyond Belief” series which explores faith and spirituality.
Schumann's Violin Concerto is a relative rarity in the concert hall, but Patricia Kopatchinskaja's performance did little to suggest a neglected masterpiece.
Three substantial works from 1800, 1913 and 2008 in an enterprising and unusual combination, performed by the London Phlharmonic Orchestra conducted by Markus Stenz, and with the Moldovan violinist Patricia Kopatchinskaja as soloist.
A blazing performance by violinist Patricia Kopatchinskaja and a mildly disappointing Mozart Requiem round off New York’s annual Mostly Mozart Festival
L’Orchestre de Paris s’adjoignait mercredi la violoniste Patricia Kopatchinskaja pour un concert consacré à deux maîtres de la musique hongroise : Béla Bartók et Péter Eötvös, au pupitre de direction ce soir.
La Sinfónica de Galicia abrió su nueva temporada en la compañía de la violinista Patricia Kopatchinskaja que presentó el infrecuente Concierto op.36 de Arnold Schönberg, completó el programa otra impactante obra, la Sinfonía núm. 11 de Shostakovich.
Kopatchinskaja brachte Prokofjews wunderbare Melodien intensiv zum Leuchten, konnte aber auch gegen Ende des ersten Satzes eine Spannung aufbauen, die es mit jedem Krimi aufnahm.
La OSG ofreció un original y coherente programa que nos hizo volar desde el anhelo psicológico del concierto de violín de Schumann, de la mano de Kopatchinskaja hasta la espirituralidad de Harvey, para concluir con el romántico de Brahms.
Patricia Kopatchinskaja und die Camerata Salzburg - kann sich hier Harmonie einstellen? Meine Zweifel sollten auf eindrucksvolle Weise zerstreut werden.
