Estreno de Tirant e Carmesina: Magrané esencial

By Aina Vega Rofes, 21 July 2019

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Reviewed at Claustro del Carmen, Peralada on 18 July 2019

Magrané Figuera, Diàlegs de Tirant e Carmesina (Estreno absoluto)

Francesc Prat, Conductor

Marc Rosich, Director

Jaume Plensa, Set Designer

Joana Martí, Costume Designer

Josep-Ramon Olivé, Tirant

Isabella Gaudí, Carmesina

Anna Alàs, Viuda reposada / Plaerdemavida

Neus Puig, Flute

Esther Pinyol, Harp

Joel Bardolet, Violin

Antonio Vinuales, Violin

Adam Newman, Viola

David Eggert, Cello

Tirant e Carmesina: fusión de excelencia entre Magrané y Rosich

Maria Sánchez, 13th February

Intensidad musical y textual en la adaptación de Joanot Martorell; de la mano creativa de Rosich y el oído intrépido de Magrané, devuelven la mística arcaica del amor caballeresco

*****

Juegos corales y entrega juvenil en el Dido & Aeneas del Palau

Maria Sánchez, 7th July

Este Dido & Eneas, hecho por y para jóvenes promesas de la música, es una declaración de intenciones de todos aquellos que han pulido sus habilidades hasta alcanzar la excelencia y empiezan a reclamar el espacio que les corresponde.

****1

The triumph of virtue: Rossini’s Cenerentola in Brisbane

Sandra Bowdler, 29th April

Margarita Gritskova leads a fine ensemble performance of Rossini’s most under-appreciated opera by Opera Queensland.

****1

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen

Mengguang Huang, 26th April

Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom.

**111

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

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Aina Vega Rofes

Aina Vega (Flix, 1984) is PhD in Philosophy of Music (Pompeu Fabra University) with the thesis The artistic ethos in Arnold Schönberg and the dialogue with Adrian Leverkühn. Part of her research was carried out in the Arnold Schönberg Center (Vienna) in 2012/13. She obtained the Advanced Certificate Studies UPF with a thesis on Schönberg and Schopenhauer and is Bachelor in Humanities (UPF). Specialized in Contemporary music and opera, she has a relevant career as cultural journalist and cultural manager (she is Master in Arts and Culture Management, Rome Business School). She has been working for institutions such as Liceu Barcelona, Auditorio de Tenerife and Palau de la Música Catalana.