Oropesa et Bernheim chantent l'amour lyrique au TCE

By Pierre Michel, 27 April 2024

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“Benjamin Bernheim et Lisette Oropesa possèdent de ces organes magiques”

Reviewed at Théâtre des Champs-Élysées, Paris on 26 April 2024

Verdi, La forza del destino (The Force of Destiny): Overture

Donizetti, L'elisir d'amore: Caro elisir

Puccini, Tosca: Recondita armonia

Verdi, I masnadieri: Tu del mio Carlo al seno

Verdi, I masnadieri: Sinfonia

Verdi, Rigoletto: Signor né principe… Addio, addio

Gounod, Roméo et Juliette: Ange adorable

Gounod, Faust: O Dieu! Que de bijoux!...Ah! Je ris de me voir "Jewel song"

Bizet, Les Pêcheurs de perles: Je crois entendre encore

Gounod, Romeo et Juliette: Ouverture

Meyerbeer, Robert le Diable: Robert, toi que j'aime

Massenet, Manon: Ah ! Fuyez, douce image

Massenet, Manon : Duo de Saint-Sulpice

Lisette Oropesa, Soprano

Benjamin Bernheim, Tenor

Orchestra dell'Accademia Teatro alla Scala

Marco Armiliato, Conductor

Beckett at La Scala: world première of Kurtág's Fin de partie

Renato Verga, 15th November

Never before has human impotence been so cruelly portrayed on stage.

****1

Cherubini's Ali Baba finally returns to La Scala

Renato Verga, 1st September

A conventional plot retains few of the elements of its Arabian Nights original, but the Academy's young pupils display vocal mastery in Milan.

Vaccai's Giulietta e Romeo resuscitated in Martina Franca

Lorenzo Fiorito, 31st July

An opera which has not only a historical and philological interest for scholars and experts, but is of great musical value.

****1

A radiant start to the year in Budapest

Orsolya Gyárfás, 1st January

Ádám Fischer delivers a remarkable performance of Haydn's great oratorio.

****1

A touch of magic realism to Hänsel und Gretel

James Imam, 6th September

Bechtolf's seductively imaginative staging consists in a flat pack fairytale world full of surprises that delight like the contents of a pop up book.

*****

Refreshing the classics: Barbiere at La Scala

Courtney Smith, 27th July

Bridging new and old, the young graduates of Teatro alla Scala's Academy joined seasoned Italian opera legends for an "Academy Project" performance of Gioachino Rossini's Il barbiere di Siviglia in Jean-Pierre Ponnelle's 46-year-old staging.

****1

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Pierre Michel

Né dans une famille de musiciens, Pierre suit un cursus varié au sein du Conservatoire de Meudon, entre piano (DEM) et contrebasse, récital et orchestre, classique et jazz. Aujourd'hui ingénieur dans la gestion et l'analyse de données, il fréquente très assidûment les salles de concert de la région parisienne pour consolider et approfondir sa passion pour la musique classique. Pour ne pas manquer ses prochains articles, rendez-vous sur son compte Instagram ricerc_art.

Lisette Oropesa et Benjamin Bernheim chantent l'amour lyrique au Théâtre des Champs-Élysées