L’essoufflement de Barenboim à la Philharmonie

By Nicolas Mathieu, 22 January 2020

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“le pianiste semble en retrait dans son jeu et manquer d’engagement dans l’interprétation”

Reviewed at Philharmonie de Paris: Grande salle Pierre Boulez, Paris on 19 January 2020

Beethoven, Piano Sonata no. 15 in D major "Pastoral”, Op.28

Beethoven, Piano Sonata no. 3 in C major, Op.2 no.3

Beethoven, Piano Sonata no. 24 in F sharp major "A Thérèse", Op.78

Beethoven, Piano Sonata no. 30 in E major, Op.109

Daniel Barenboim, Piano

Joy and hope from Barenboim and the West-Eastern Divan Orchestra

Chris Garlick, 4th November

The West-Eastern Divan Orchestra are on fire with the joy of music-making to the delight of a very sympathetic and enthusiastic audience at London's Southbank Centre.

*****

Barenboim and the West-Eastern Divan return to the BBC Proms

Asher Rubenstein, 11th August

Marking 25 years of the West-Eastern Divan Orchestra, Daniel Barenboim returns to the Proms with violin legend Anne-Sophie Mutter.

***11

Clumsy Liszt, listless Berlioz from Barenboim and the Staatskapelle

Mark Pullinger, 7th March

Some conductors get better with age, ripening like fine wines, but age wearies others. Daniel Barenboim’s decline is difficult to bear.

Don Giovanni laughs off his own death at Staatsoper Berlin

Zenaida des Aubris, 10th April

Finishing up their Mozart-Da Ponte trilogy with Don Giovanni, Daniel Barenboim and Vincent Huguet rely on mild punchlines and dignified tempi

***11

West-Eastern Divan Orchestra shows its stars at the Salzburg Festival

Alexander Hall, 13th August

Daniel Barenboim offered an unusually Germanic take on César Franck, while section leaders Michael Barenboim and Kian Soltani pulled double duty as soloists in Brahms' Double Concerto.

****1

Daniel Barenboim steps in to conduct Brahms at Berlin Philharmonie

Edward Sava-Segal, 24th April

Replacing Mikko Franck at short notice, Barenboim joins Yefim Bronfman for a revised, all-Brahms programme.

****1

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Nicolas Mathieu

Après des études de philosophie à l’ENS de Lyon et de politiques culturelles à l’Université de Paris, Nicolas se tourne vers la gestion culturelle à HEC Paris. Formé aux conservatoires de Lille et de Lyon en piano et en écriture, il consacre ses projets personnels au dialogue entre la musique et les autres arts comme organisateur de ciné-concerts (S’émanciné), de lectures performées (CIE 44) et autres formats pluridisciplinaires.