Le Théâtre du Corps se meut dans la solitude des champs de coton

Dans la solitude des champs de coton par le Théâtre du Corps

By Julie Jozwiak, 26 October 2025

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“une transcription émotionnelle qui inclut justement tout ce qui n’est pas dit”

Reviewed at La Villette: auditorium Boris Vian, Paris on 25 October 2025

Dans la solitude des champs de coton (Marie-Claude Pietragalla)

Théâtre du Corps Pietragalla-Derouault

Julien Derouault, Director, Dancer

Pierre-Claver (aka Dexter) Belleka, Dancer

The Dutch National Ballet's Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen's works. It's a wonderful tribute to the great master choreographer.

*****

Ballet Nights 011 – Convergence a winning formula at Cadogan Hall

Deborah Weiss, 29th April

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

****1

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

National Ballet of Japan’s Raymonda is a feast of excellent dancing

Naomi Mori, 25th April

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.

*****

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

More reviews...

Julie Jozwiak

Après des études en lettres et musicologie ainsi qu’un master d’école de commerce, Julie Jozwiak s’est consacrée à la production de concerts classiques. Elle est harpiste, choriste et violoniste, mais se définit surtout comme mélomane passionnée, et affectionne aussi beaucoup la danse classique qu’elle a longtemps pratiquée. Son amour inconditionnel du spectacle vivant l’incite à se rendre quasi quotidiennement au concert, à l’opéra, au ballet, au théâtre… ou à tout autre type de performance scénique.

Dans la solitude des champs de coton : le Théâtre du Corps face à Koltès à La Villette