Accents hongrois aux Jacobins, en compagnie de Dénes Várjon

By Arnaud Saura-Ziegelmeyer, 09 September 2017

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“une volonté claire de respect absolu de la partition”

Reviewed at Cloître des Jacobins, Toulouse on 7 September 2017

Beethoven, 6 Bagatelles for piano, Op.126

Bartók, 2 Elegies, Sz 41

Bartók, 3 Hungarian Folksongs from Csík

Bartók, 8 Improvisations on Hungarian Peasant Songs, Sz 74, Op.20

Liszt, Piano Sonata in B minor, S 178

Dénes Várjon, Piano

Major Mozart with Hungarian guests at the Singapore Symphony

Chang Tou Liang, 15th May

Gábor Káli and pianist Dénes Várjon appear with the Singapore Symphony Orchestra for a last hurrah before another pandemic shutdown.

*****

Bouquets in an empty hall: Concerto Budapest's Beethoven Day

Zoltán Szabó, 28th November

The marathon chamber concert leg of the Beethoven Day in Budapest's Liszt Academy featured artists such as Miklós Perényi, Dénes Várjon and the Hungarian Quartet.

****1

West Cork Chamber Music Festival ends in style

Michael Roddy, 7th July

British cellist Laura van der Heijden proved herself to be the sister of soul on the cello for the second night in succession.

*****

Mendelssohn multiplied at Wigmore Hall

Sophia Lambton, 24th July

Violinist Joshua Bell and cellist Steven Isserlis came together with three other players to showcase the composer’s chamber music.

**111

Franz Liszt: from exuberance to ascesticism

Frances Wilson, 7th October

An insightful and engaging talk by Alfred Brendel on Liszt's B minor Sonata was followed by an intelligent and colourful performance by pianist Dénes Varjon.

****1

Fine chamber playing from Budapest's visiting musicians in Edinburgh

Alan Coady, 14th August

A morning of wonderful and varied chamber music from the Budapest Festival Orchestra Soloists in Edinburgh.

****1

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Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.