Gautier Capuçon et le Czech Philharmonic à Bozar

Gautier Capuçon, Semyon Bychkov et le Czech Philharmonic à Bozar

Semyon Bychkov et le Czech Philharmonic à Bozar

By Patrice Lieberman, 23 October 2022

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“Capuçon se montre virtuose et spirituel”

Reviewed at BOZAR: Main hall, Brussels on 21 October 2022

Haydn, Cello Concerto no. 1 in C major, Hob VIIb:1

Shostakovich, Symphony no. 11 in G minor "The Year 1905", Op.103

Czech Philharmonic

Semyon Bychkov, Conductor

Gautier Capuçon, Cello

Sol Gabetta bares her soul in Elgar on Czech Phil tour

Clare Varney, 23rd April

Semyon Bychkov conducts the Czech Phil on their latest European tour with the music of Elgar and Stravinsky.

****1

A heartfelt reunion with the Czech Philharmonic in Prague

Frank Kuznik, 19th March

A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum.

****1

Searing Kindertotenlieder from Fleur Barron and Czech Philharmonic

Gianmarco Segato, 18th February

Fleur Barron delivers a searing Kindertotenlieder in the Czech Philharmonic's mini-survey of the Germanic Romantic repertoire under Semyon Bychkov.

****1

Rockin’ at the Rudolfinum: the Czech Phil plays Bryce Dessner

Frank Kuznik, 5th February

American guitarist and composer Bryce Dessner brings a subdued palette to his debut appearance with the Czech Philharmonic.

****1

Modern mayhem from Thomas Adès and the Czech Philharmonic

Frank Kuznik, 5th December

The composer and conductor celebrates Pierre Boulez's 100th birthday in fine fashion with a smart program and fervent work from both sides of the podium.

*****

Chills and thrills from Pappano and the Czech Philharmonic

Frank Kuznik, 27th November

In expert hands, a terrifying 12-tone opera and a heroic piano concerto rattle the walls in Prague’s Rudolfinum.

*****

More reviews...

Patrice Lieberman

Pratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.

Gautier Capuçon et le Czech Philharmonic à Bozar : Haydn pétillant, Chostakovitch accablant