| Opéra national de Paris | ||
| Michele Spotti | Musikalische Leitung | |
| Barrie Kosky | Regie | |
| Rufus Didwiszus | Bühnenbild | |
| Victoria Behr | Kostüme | |
| Ulrich Eh | Licht | |
| Orchestre de l'Opéra national de Paris | ||
| Antonio Cuenca Ruiz | Dramaturgie | |
| Otto Pichler | Choreographie | |
| Rachella Kingswijk | Schauspiel | |
| Cécile L'Heureux | Schauspiel | |
| Victorien Bonnet | Schauspiel | |
| Nicolas Jean-Brianchon | Schauspiel | |
| Hédi Tarkani | Schauspiel | |
| Marcel Beekman | Tenor | Falsacappa |
| Marie Perbost | Sopran | Fiorella |
| Antoinette Dennefeld | Mezzosopran | Fragoletto |
| Yann Beuron | Tenor | Le Baron de Campo-Tasso |
| Laurent Naouri | Bariton | Le Chef des Carabiniers |
| Mathias Vidal | Tenor | Le Prince de Mantoue |
| Sandrine Sarroche | Schauspiel | Antonio |
| Philippe Talbot | Tenor | Le Comte de Gloria-Cassis |
| Eugénie Joneau | Mezzosopran | La Princesse de Grenade |
| Seray Pinar | Sopran | Adolphe de Valladolid |
| Luis-Felipe Sousa | Bass | Le Précepteur |
| Leonardo Cortellazzi | Tenor | Carmagnola |
| Éric Huchet | Tenor | Domino |
| Franck Leguérinel | Bariton | Barbavano |
| Rodolphe Briand | Tenor | Pietro |
| Héloïse Poulet | Sopran | Zerlina |
| Clara Guillon | Sopran | Fiammetta |
| Maria Warenberg | Mezzosopran | Bianca |
| Marine Chagnon | Sopran | Ciccinella |
| Doris Lamprecht | Mezzosopran | La Marquise |
| Helene Schneiderman | Mezzosopran | La Duchesse |
| Manon Barthélémy | Sopran | Pipa |
| Corinne Martin | Sopran | Pipetta |
| Jules Robin | Tenor | Pipo |
Brigands in search of a new exploit, a Spanish delegation, a massive heist, a not-so-honest cashier, carabinieri who always arrive too late: the ingredients, disguises, twists and turns in Offenbach’s opéra‑bouffe, first performed in 1869 at the Théâtre des Variétés, are so abundant that they make the story utterly extravagant.
But little matter ! Set to Meilhac and Halévy’s vivacious libretto, the composer of La Belle Hélène serves up a hilarious little gem, all the while mocking the financial circles of the Second Empire.
Absent from the Paris Opera for over thirty years, Les Brigands takes the Palais Garnier for the first time by storm in a new production directed by Barrie Kosky.
This aficionado of Offenbach’s music, who sees in this zany comedy a kinship with Dadaism, recreates the rhythm and folly of a joyously amoral society.
Rezensionen von Les Brigands (The Bandits) inszeniert von Barrie Kosky
