Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | James Kryshak

Ein grandioses Gesangsensemble und fantasievolle Vertonungen beweisen, warum Unsuk Chins Oper zu den Meisterwerken der zeitgenössischen gehört.

Barrie Kosky macht Rimsky-Korsakows letzte Oper zu einer Persiflage auf den mittelalten Mann in der Midlife Crisis.

In Tcherniakovs neuer Inszenierung an der Staatsoper Hamburg ist Asmik Grigorian nach fünf Jahren endlich wieder als Salome zu erleben.

Alexander Raskatov und Damiano Michieletto verwandeln George Orwells Fabel in eine ungemein zeitgemäße Oper.

Das Niveau der Solisten steht der enttäuschenden Inszenierung in unüberbrückbarer Distanz gegenüber.

Even locked behind a music stand, like a caged panther in a sleek black gown, Grigorian’s Salome bristles with dramatic energy in Barbican concert performance of Strauss’ “scherzo with a fatal conclusion”. 

With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

A dearth of nuance affects this new production of Verdi's late masterpiece in Berlin, set in Sir John's gourmet kitchen. 

À l'Opéra de Flandre, l'ouvrage rare de Kurt Weill bénéficie de la mise en scène extraordinairement inventive d'Ersan Mondtag et d'une excellente distribution.

Weill's satirical fairytale bites just as hard today as it did in 1933.

Deutsche Oper Berlin's revival of Manon Lescaut achieves a rare theatrical success; a witty and visually stunning production combined with thrilling music making in the pit with Sir Simon Rattle leading the orchestra and singers with emotional urgency.

Tamara Wilson was a top-notch Ariadne, supported by a strong cast, including Kate Lindsey as a passionate Composer, a thrilling Zerbinetta by Daniela Fally, and an unbeatable Bacchus in Andreas Schager.

This year’s NTR ZaterdagMatinee concert series in Amsterdam kicked off with a Boris Godunov that left nothing to be desired.

Salvation sweetness and light in DC's annual Messiah.

Stage director Rodrigo Garcia makes a controversial opera debut with The Abduction from the Seraglio in Berlin. 

David McVicar's production is visually stylish, superbly acted and the attention to detail is pervasive. Show-stealing acting from Franck Saurel's Selim and a fine Osmin from Clive Bayley help make this a memorable evening's opera.

San Francisco Opera's thoughtful version of the 1955 opera Susannah, one of the most performed American operas, placing the story of Susannah and the Elders in the Appalachian hills of the 1930s. 

Janáček turned, after a life of much unrest and complexity, to a theme of apparent simplicity shrouding much more complex issues: a fairy tale.