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Riccardo Chaillys letzte Neuinszenierung als künstlerischer Leiter ist ein Fest zu Ehren Verdis und eines Dirigenten, dessen Beziehung zum Mailänder Publikum sich im Laufe der Jahre deutlich vertieft hat. Anna Netrebko brilliert als Abigaille.

La Scala offers Lucia di Lammermoor as Donizetti intended it: complete, dramatically coherent and free of traditional cuts – a musicological achievement and a gripping theatrical experience.

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director. 

Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

After almost 50 years, the Teatro alla Scala presents a new production of Norma, with a great cast, some shadows in the orchestra direction and several failures in the production. 

McVicar’s most successful Ring chapter yet: Siegfried convinces with beautiful imagery and a stellar cast, with Alexander Soddy at the baton.

A great cast and an enjoyable score seal the success of a new opera based on Umberto Eco's classic historical murder mystery, The Name of the Rose. 

Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos. 

Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna. 

La Scala revives Giorgio Strehler’s historic production with a solid cast led by veteran Ambrogio Maestri, under the baton of an inspired Daniele Gatti.

La Scala presents a new production of Richard Wagner's masterpiece by David McVicar with a superb cast under the considerate baton of Simone Young.

The Russian conductor convinces everyone with a magnificent interpretation of Strauss' score, leading an outstanding cast in Henry Kupfer's exquisite production. 

The Accademia at La Scala delivers an outstanding production of Nino Rota’s masterpiece, conducted by Donato Renzetti, leaving the audience with beaming smiles. 

Anna Netrebko and Rosa Feola shine in an extravagant new production by director Davide Livermore. 

アンナ·ネトレプコとローザ·フェオラ、ダヴィデ·リヴァーモアの豪華な舞台で輝く。

Not so Dolce Vita... Davide Livermore’s fascinating interpretation of Donizetti’s masterpiece doesn’t quite manage to uplift a somewhat disappointing musical performance. 

Mario Martone’s 2011 production, revived this season by Federica Stefani. fairly stands the test of time in Milan. 

Chiara Muti's new production departs from the serene Swiss landscapes of valleys and mountains to depict a gloomy, dystopian world. 

Young conductor Thomas Guggeis makes a rousing debut at La Scala leading a great cast in one of the greatest productions of the 20th century. 

Generational shifts as La Scala presents a new production of Simon Boccanegra by Daniele Abbado (son of Claudio), conducted by Lorenzo Viotti (son of Marcello). 

Cherubini’s Médée arrives at La Scala, in French, with a modern, interesting production by Damiano Michieletto, authoritatively conducted by Michele Gamba. 

Marina Rebeka and Freddie de Tommaso are the protagonists in the 200th performance of the historical production of La bohème by Franco Zeffirelli, on the 100th anniversary of his birth, under the baton of Eun Sun Kim, who debuts at La Scala.

A completely forgotten opera by Donizetti enjoys a new production in Bergamo, with a good cast from the Accademia Teatro alla Scala, led by Sesto Quatrini in the pit.

Conductor Michele Gamba gives a very personal interpretation of Rigoletto, in an intelligent new production by Mario Martone, which seals a great success for the trio of principal singers, Amartuvshin Enkhbat, Nadine Sierra and Piero Pretti.

La Scala presents a new production of Ponchielli’s masterpiece, the first one in more than 20 years and a sequence of beautiful images supporting a solid cast, led by Saioa Hernández.

Robert Carsen’s imaginative 2011 production of Mozart’s masterpiece is revived in Milan with an excellent cast led by Christopher Maltman.