Mariotti conquers La Scala in Muti’s gloomy new Guillaume Tell

Michele Pertusi (Guillaume Tell)

Luca Tittoto (Gesler) and ensemble

Coro del Teatro alla Scala

Salome Jicia (Mathilde), Catherine Trottmann (Jemmy) and ensemble

Luca Tittoto (Gesler) and ensemble

Von Laura Servidei, 08 April 2024

Laden, bitte warten...

Veranstaltung anzeigen

“the thunderous ovation that greeted the overture rivalled that of a football match”

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 6 April 2024

Rossini, Guillaume Tell

Teatro alla Scala

Michele Mariotti, Musikalische Leitung

Chiara Muti, Regie

Alessandro Camera, Bühnenbild

Ursula Patzak, Kostüme

Vincent Longuemare, Licht

Orchestra del Teatro alla Scala

Coro del Teatro alla Scala

Michele Pertusi, Guillaume Tell

Dmitry Korchak, Arnold Melcthal

Salome Jicia, Mathilde

Luca Tittoto, Gesler

Evgeny Stavinsky, Melcthal

Nahuel Di Pierro, Walter Furst

Géraldine Chauvet, Hedwige

Catherine Trottmann, Jemmy

Dave Monaco, Ruodi

Huan Hong Li, Ein Jäger

Silvia Giordano, Choreographie

Zwischen Symbolismus und Partyrealität: Salome an der Mailänder Scala

Rainer Zerbst, 20th February

Damiano Michieletto schafft eine Inszenierung, die den Betrachter auch nach Ende der Oper nicht ruhen lässt.

*****

Engel und Dämonen: Giovanna d'Arco an der Scala

David Karlin, 18th December

Verdis Fassung der Jeanne d'Arc-Geschichte mag dünn im Drama sein, doch herausragende musikalische Leistungen von Riccardo Chailly und dem Orcherster der Scala, Netrebko, Meli und Álvarez sorgen für einen wunderbaren Verdi-Abend.

****1

Nucci Respekt einflößend in düsterem Simon Boccanegra der La Scala

James Imam, 31st October

Nuccis Darstellung der Titelrolle in Simon Boccanegra stellte sicher, dass Verdis Drama hell erstrahlte.

****1

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival

Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.

****1

The Ring returns to the Rhine: Götterdämmerung at La Scala

Laura Servidei, 1st February

Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

Weitere Kritiken...

Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.

Michele Mariotti conquers La Scala in Chiara Muti’s gloomy new Guillaume Tell