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Born to sing Lucia: Jennifer France shines in Opera Holland Park’s new staging

Von Mark Valencia, 18. Juli 2025

Cecilia Stinton’s new production of Lucia di Lammermoor doesn't necessarily make best use of OHP’s performance space, but the singers excel.

***11

mehr

***11

London

18. Juli 2025

Born to sing Lucia: Jennifer France shines at Opera Holland Park

Von Mark Valencia

Montpellier

Heureuse résurrection baroque à Montpellier : l’Orfeo d’Antonio Sartorio

Von Irma Foletti, 7. Juni 2023

La direction de Philippe Jaroussky et la mise en scène de Benjamin Lazar servent magnifiquement une œuvre riche en airs et en péripéties.

****1

mehr

****1

Montpellier

7. Juni 2023

Heureuse résurrection à Montpellier : l’Orfeo d'Antonio Sartorio

Von Irma Foletti

Wien

Excellent revival of Claus Guth's Saul at Theater an der Wien

Von George Jahn, 20. April 2021

“How Excellent.” The first words sung in Handel’s Saul are in praise of God and were first uttered in a performance nearly three centuries ago. But they apply equally to Claus Guth’s interpretation of the work staged by Theater an der Wien.

*****

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*****

Wien

20. Apr. 2021

Excellent revival of Claus Guth's Saul at Theater an der Wien

Von George Jahn

London

A shining Silver Lake from English Touring Opera

Von Stephen Pritchard, 5. Oktober 2019

Weill's satirical fairytale bites just as hard today as it did in 1933.

****1

mehr

****1

London

5. Okt. 2019

A shining Silver Lake from English Touring Opera

Von Stephen Pritchard

Paris

La Chapelle Harmonique cherche son Messie à Radio France

Von Philippe Ramin, 1. Oktober 2019

Sous la direction de Valentin Tournet, La Chapelle Harmonique livre un Messie inégal en ouverture de la saison baroque de Radio France. Un événement marqué par le secours inattendu et spectaculaire d'Adèle Charvet.

***11

mehr

***11

Paris

1. Okt. 2019

La Chapelle Harmonique cherche son Messie à Radio France

Von Philippe Ramin

Buxton

Buxton Festival celebrates its 40th anniversary with Tchaikovsky’s Eugene Onegin

Von Robert Gainer, 6. Juli 2019

Every July, Buxton’s charming opera house hosts an international festival of opera, literature and the arts. This year the festival opened with a strong familiar favourite, Tchaikovsky’s Eugene Onegin.

****1

mehr

****1

Buxton

6. Juli 2019

Buxton Festival celebrates 40th anniversary with Eugene Onegin

Von Robert Gainer

London

Simon McBurney's Magic Flute makes a joyous return to ENO

Von Dominic Lowe, 14. März 2019

Simon McBurney's production of The Magic Flute continues to delight and this revival benefits from a strong cast, led by the superb Lucy Crowe as Pamina.

****1

mehr

****1

London

14. März 2019

Simon McBurney's Magic Flute makes a joyous return to ENO

Von Dominic Lowe

Salzburg

Sacrifice to passion: L’incoronazione di Poppea in Salzburg

Von Laura Servidei, 12. August 2018

A wonderful cast conducted by William Christie in a new production of L’incoronazione di Poppea at the Salzburg Festival.

****1

mehr

****1

Salzburg

12. Aug. 2018

Sacrifice to passion: L’incoronazione di Poppea in Salzburg

Von Laura Servidei

London

Hot ice and strange snow: an unseasonal return for Carsen’s bed-hopping Dream

Von Mark Pullinger, 1. März 2018

In Siberian conditions more akin to The Winter's Tale, a revival of Robert Carsen's season setting of Britten's A Midsummer Night's Dream offered a warm glow at the Coliseum.

****1

mehr

****1

London

1. März 2018

Hot ice and strange snow

Von Mark Pullinger

Gateshead

Lars Vogt and RNS deliver Bach’s Christmas message of peace and joy

Von Jane Shuttleworth, 16. Dezember 2017

Lars Vogt, Royal Nothern Sinfonia and Chorus and a strong quartet of soloists bring the angelic tidings of peace and goodwill in Bach’s Christmas Oratorio.

****1

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****1

Gateshead

16. Dez. 2017

Lars Vogt and RNS deliver Bach’s Christmas message of peace and joy

Von Jane Shuttleworth

London

Billowing silk and blue hair: Phelim McDermott creates an evocative Aida for ENO

Von Mark Pullinger, 28. September 2017

McDermott envisages Aida as a sister production to his team's mesmeric Akhnaten. But would the hypnotic juggling and glacial choreography work for Giuseppe Verdi's Nile epic?

****1

mehr

****1

London

28. Sept. 2017

Billowing silk, blue hair: an evocative ENO Aida

Von Mark Pullinger

London

Petticoated pirate romp: The Pirates of Penzance at ENO

Von Olivia Bell, 9. Februar 2017

There’s nothing new or inventive about Leigh’s revived production, which in itself is not a crime, but neither is there an abundance of energy; it's all a bit nice.

***11

mehr

***11

London

9. Feb. 2017

Petticoated pirate romp at ENO

Von Olivia Bell

London

Transfigured night: Tristan and Isolde at ENO

Von Matthew Rye, 9. Juni 2016

English National Opera's new Tristan is at its best when responding to Anish Kapoor's stunning stage sculptures.

****1

mehr

****1

London

9. Juni 2016

Transfigured night: Tristan and Isolde

Von Matthew Rye

London

A New Rodelinda at the London Handel Festival

Von Nahoko Gotoh, 14. März 2011

This week, the annual London Handel Festival, now in its 34th year, opened with a new production of his opera Rodelinda.

mehr

London

14. März 2011

A New Rodelinda at the London Handel Festival

Von Nahoko Gotoh

London

Orpheus in the Underworld - the antidote to highbrow opera

Von David Karlin, 4. Dezember 2010

If anyone tells you that all opera is highbrow, Offenbach's Orpheus in the Underworld provides you with a perfect example of the opposite. It's coarse, raunchy, fast, fun, and continually pokes fun at the conventions of grand opera.

****1

mehr

****1

London

4. Dez. 2010

Orpheus in the Underworld - the antidote to highbrow opera

Von David Karlin