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Ein stimmstarker Abschied für Copleys La bohème

Von David Karlin, 23 Mai 2015

Joseph Calleja und Anna Netrebko zeigen ihre stimmlichen Qualitäten und führen eine Starbesetzung über einer wenig ansprechenden Orchesterleistung in John Copleys Royal Opera-Inszenierung von La bohème in ihrer letzten Spielzeit.

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London

23 Mai 2015

Ein stimmstarker Abschied für Copleys La bohème

Von David Karlin

Philadelphia

Visuals and voices mar Philadelphia Orchestra's Missa solemnis

Von Cameron Kelsall, 10 April 2022

An admirable but disjointed performance of Beethoven's sacred choral work did not benefit from an extratextual art installation.

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Philadelphia

10 Apr 2022

Visuals and voices mar Philadelphia Orchestra's Missa solemnis

Von Cameron Kelsall

Zürich

Ludovic Tézier rules in Andreas Homoki's still socially-distanced Simon Boccanegra in Zurich

Von Laura Servidei, 15 Dezember 2021

Andreas Homoki’s production suffers from last season's Covid restrictions, resulting in an alienating, aloof performance, but under the energetic baton of Marco Armiliato, it still proves a very successful musical evening.

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Zürich

15 Dez 2021

Tézier rules in Zurich's still socially-distanced Simon Boccanegra

Von Laura Servidei

Dresden

Peter Konwitschny returns to the Semperoper with Les Huguenots

Von Laura Servidei, 29 Juni 2019

John Osborn leads a very successful premiere of Peter Konwitschny's new production of Meyerbeer's Les Huguenots in Dresden

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Dresden

29 Jun 2019

Peter Konwitschny returns to the Semperoper with Les Huguenots

Von Laura Servidei

Philadelphia

Yusif Eyvazov a magnificent Cavardossi in Philadelphia's Tosca

Von Hilary Stroh, 12 Mai 2018

The Philadelphia Orchestra's superb semi-staged production of Tosca.

*****

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Philadelphia

12 Mai 2018

Eyvazov a magnificent Cavardossi in Philadelphia

Von Hilary Stroh

New York City

Exquisite musicianship in Met's revival of Il trovatore

Von Edward Sava-Segal, 22 Januar 2018

Towering above all the other meritorious singers in this performance, was the phenomenal Georgian mezzo-soprano Anita Rachvelishvili

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New York City

22 Jan 2018

Exquisite musicianship in Met's revival of Il trovatore

Von Edward Sava-Segal

Perth WA

West Australian Opera's Il trovatore honours Neidhardt's lesson in directorial rigour

Von Paul Selar, 01 November 2014

First presented in Perth in 2002, West Australian Opera’s Il trovatore (a co-production with Opera Queensland and State Opera of South Australia) is dedicated to the memory of director Elke Neidhardt, and here the stage becomes hers.

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Perth WA

01 Nov 2014

Il trovatore honours Neidhardt's lesson in directorial rigour

Von Paul Selar

New York City

New York City Opera brings Telemann's Orpheus back from the dead

Von Zerbinetta, 12 Mai 2012

The New York City Opera has spent the season reinventing itself from a large company with a large theater to a peripatetic one presenting small works. Perhaps it was apt that they closed their season with Telemann’s Orpheus.

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New York City

12 Mai 2012

New York City Opera brings Telemann's Orpheus back from the dead

Von Zerbinetta