Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Julia Doyle

Eine Deutung, die am Karfreitag den emotionalen Höhepunkt des Todes höchst ergreifend einfängt. Und sich an den zentralen Partien ausrichtet, die mit optimalen Kieran Carrel und Konstantin Krimmel im Gedächtnis bleibt.

Beeindruckendes Solisten-Trio und Instrumentalensemble unter Leitung Steven Devines sorgten für eine in vielerlei Hinsicht passende Premiere in und Rückkehr nach Malta.

Menschlichkeit und Drama der Passion in der Lesart des Dirigenten sowie die Ausdrucksfülle von Chor und Solisten sind unschlagbar.

The Dunedin Consort explores the 1723 Thomaskantor shortlist:  Georg Philipp Telemann, Christoph Graupner and Johann Sebastian Bach in a programme directed by John Butt. 

I Fagiolini and the English Cornett and Sackbut Ensemble give a very special performance at Kings Place. 

Tenor Nicholas Mulroy directs a one-voice-to-a-part account of Bach's St Matthew Passion, featuring some splendid singing. 

A taste of the opening weekend in Leipzig’s marathon Bach Festival. 

Clyne, Ligeti and Pärt sit down with Bach and Scarlatti for a spot of lunch!

Bach's St John Passion thrills the audience at Valletta International Baroque Festival. 

Bach’s Passion according to St John the Evangelist is not an easy work. Whilst saying I am a “fan” of Bach is one of the greatest understatements possible, this Passion is nonetheless an intense work for any concert-goer (seasoned or amateur) including myself. Over two hours in length, it is a test on both the audience and, quite obviously, the performers.

Few concert programmes can feature such different works based on the same inspiration, but the BBC Philharmonic managed the intricacies of Bach and the grandeur of Bruckner with great success. The biggest tragedy of the evening was the audience: the whole top tier of seating was closed, and the stalls were barely half full.On his appointment as Kantor of the Leipzig Thomaskirche in 1723, J.S.

Seeing both these ensembles live has been a dream of mine for a few years now, having been brought up with my father’s love of the Hilliard Ensemble’s collaborative recordings with jazz saxophonist Jan Gabarek. And what better place to be transported back in time with these early music experts than the Wigmore Hall.

The scene is 1612 in Venice: a great battle has been won against the dreaded Ottoman Empire, and in celebration, evening prayers are ordered to be set to music specially composed by the great Giovanni Gabrieli, Claudio Monteverdi and others.

On Saturday, Philippe Herreweghe conducted the season’s most solemn yet spectacular oratorio concert in New York – a performance of J.S. Bach’s St. Matthew Passion in Alice Tully Hall at Lincoln Center. Scored for two choirs, two orchestras, and soloists, this almost operatic depiction of Christ’s Passion was performed by Herreweghe’s Collegium Vocale Gent Choir and Orchestra.