Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Raimund Bauer

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Emojis statt Emotionen: Miroslav Srnkas neue Oper Singularity an der Bayerischen Staatsoper

Von Rainer Zerbst, 07 Juni 2021

Kompositorisch überzeugt Srnkas Oper mit atmosphärischen und futuristischen Klangwelten, doch sie leidet unter dem Stillstand des Librettos.

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München

07 Jun 2021

Emojis statt Emotionen: Miroslav Srnkas Singularity in München

Von Rainer Zerbst

Cardiff

Welsh National Opera tackles Les Vêpres siciliennes but the vocal fireworks fail to ignite

Von Mark Pullinger, 08 Februar 2020

David Pountney completes his “Verdi trilogy” for the company but although his staging has fluidity, it lacks an explosive ending... and the vocal performances disappoint.

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Cardiff

08 Feb 2020

WNO tackles Vêpres but the vocal fireworks fail to ignite

Von Mark Pullinger

Cardiff

Ballo II, the American cut: an indigestible staging by David Pountney for WNO

Von Mark Valencia, 09 Februar 2019

Musically, WNO gets it right. Straightforward brilliance is the order of the day, and plenty of it.

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Cardiff

09 Feb 2019

Ballo II, the American cut: an indigestible staging at WNO

Von Mark Valencia

Toulouse

Agréable Ville morte au Capitole de Toulouse

Von Arnaud Saura-Ziegelmeyer, 28 November 2018

Au Théâtre du Capitole de Toulouse, la ténébreuse Ville morte de Korngold est allégée par la mise en scène de Philipp Himmelmann. Direction musicale souple et plateau vocal équilibré complètent la production.

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Toulouse

28 Nov 2018

Agréable Ville morte au Capitole de Toulouse

Von Arnaud Saura-Ziegelmeyer

Naples

From darkness to light for Rossini's Mosè in Egitto in Naples

Von Lorenzo Fiorito, 15 März 2018

David Pountney’s 2014 staging was revived in Naples with good singing and empathetic conducting.

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Naples

15 Mär 2018

From darkness to light: Mosè in Egitto in Naples

Von Lorenzo Fiorito

Cardiff

Wheel of Fortune: Preziosilla spins Pountney's Force of Destiny

Von Mark Pullinger, 02 Februar 2018

When the entire plot is triggered by a freak accident, you can't blame director David Pountney for making Fate itself one of the key characters.

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Cardiff

02 Feb 2018

Wheel of Fortune: Preziosilla spins Pountney's Force of Destiny

Von Mark Pullinger

Zürich

Verdi’s Un ballo in maschera in Zurich: a danse macabre of pallid beauty

Von Sarah Batschelet, 07 Juni 2017

That both the lead and a second key role were ill and couldn’t sing did not bode well, yet this performance of Verdi’s Un ballo in maschera shook up the house nonetheless.

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Zürich

07 Jun 2017

Verdi’s Ballo in Zurich: a danse macabre of pallid beauty

Von Sarah Batschelet

Geneva

David Pountney's distinctive Guillaume Tell takes aim in Geneva

Von Elodie Olson-Coons, 11 September 2015

A striking staging of Rossini's Guillaume Tell at the Grand Théâtre in Geneva: well cast, beautifully sung and impeccably choreographed.

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Geneva

11 Sep 2015

Guillaume Tell takes aim in Geneva

Von Elodie Olson-Coons

Mailand

Chailly inaugurated at La Scala with a dark interpretation of Turandot

Von James Imam, 08 Mai 2015

Riccardo Chailly kicks off his interim role as Principal Director at La Scala with Turandot, featuring Luciano Berio's ending, a score he knows like the back of his hand.

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Mailand

08 Mai 2015

Chailly inaugurated at La Scala with a dark interpretation of Turandot

Von James Imam

Cardiff

Marc Chagall inspires a new production of Mosè in Egitto

Von Simon Rees, 03 Oktober 2014

A colour-coded Mosè in Egitto uses the paintings of Marc Chagall to inspire the costumes for the Jews and the Egyptians in this production of a Rossinian rarity.

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Cardiff

03 Okt 2014

A Marc Chagall inspired Mosè in Egitto

Von Simon Rees

Cardiff

Rossini's William Tell in fifty shades of grey

Von Simon Rees, 12 September 2014

Welsh National Opera's new production of Rossini's William Tell shows off orchestra and chorus to their full under Carlo Rizzi's baton

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Cardiff

12 Sep 2014

Rossini's William Tell in fifty shades of grey

Von Simon Rees