Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Cellosonate Nr. 4 in C-Dur, Op.102 Nr.1

Nicolas Altstaedt begeisterte mit subtilem Spiel und leichter Artikulation. So richtig wollte dieses jedoch nicht zum modernen Konzertflügel passen, selbst bei Alexander Lonquichs umsichtiger Begleitung.

Prokofjews Komposition entpuppt wahrer Publikumsrenner – mehr sogar als die späte Beethoven-Sonate!

Philip Higham and Susan Tomes took on Beethoven, Josef Suk, Janáček, Debussy and Nadia Boulanger without missing a beat, no page turner allowed, and no intermission.

A strangely intimate window into almost private chamber performances from the Kanneh-Mason siblings.

The Italian pianist is joined by Gautier Capuçon and Paul Meyer for late Beethoven and autumnal Brahms.

A (nearly) complete set of Beethoven’s works for cello and piano from the French friends in London. 

Intergenerational ensemble-making was the key feature of the opening concert of Suntory Hall's Chamber Music Garden festival, produced by eminent cellist and the hall's President Tsuyoshi Tsutsumi.

Nicolas Altstaedt and Alexander Lonquich give Beethoven’s cello sonatas a chance to breathe in a thoughtful and accomplished performance of all five at Wigmore Hall.

The American cellist unlocked a corporeal vault –thus shining light on musical internal organs that we never knew existed.

Phillips and Guy produce a French-accented rendering of three cello sonatas, favouring elegance and crystal clarity over overt romantics.

Faire entendre l’une ou l’autre des 5 sonates pour piano et violoncelle de Beethoven est monnaie courante ; les enchaîner est une toute autre histoire. Conception futuriste, résolument ancrée dans le nouveau siècle.

A select group of musicians provided a modest programme of chamber music at St George’s alongside renowned pianist, Paul Lewis.

Dans le cadre de leur actualité discographique, Jean-Guihen Queyras et Alexander Melnikov donnaient l'intégrale des oeuvres pour violoncelle et piano de Beethoven lors de deux récitals consécutifs à Londres.

Alban Gerhardt's and Steven Osborne's wonderful solo and duo skills unfold across a gritty programme.

There can be few more civilized ways to spend a Monday lunchtime than at a concert at the delightful Wigmore Hall, where one can escape the bustle of Oxford Street for an hour of quality chamber music.