Jaap van Zweden signals new rituals for the Philharmonic

Von Jennifer Gersten, 22 September 2018

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Veranstaltung anzeigen

“a war waged on hobby-horses with triumphant winds as spectators”

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 20 September 2018

Fure, Filament

Ravel, Klavierkonzert in G-Dur

Debussy, Images, Set 1 no. 1: Reflets dans l'eau, for piano

Strawinsky, Le Sacre du printemps

New York Philharmonic

Jaap van Zweden, Musikalische Leitung

Daniil Trifonov, Klavier

Rebekah Heller, Fagott

Nate Wooley, Trompete

Brandon Lopez, Kontrabass

Constellation Chor

Yo-Yo Ma spielt Salonen in Hamburg

Zenaida des Aubris, 3rd April

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

***11

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

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A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

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Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

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Jennifer Gersten

Jennifer Gersten is a freelance writer, editor, and violinist from Queens, NY. She is an assistant managing editor at Guernica and has published work in WQXR, NPR Music, and The Toledo Blade. Jennifer studied English and creative writing at Yale and is currently pursuing a master's in violin performance at Stony Brook University.

Jaap van Zweden signals new rituals for the New York Philharmonic