Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Klavierkonzert Nr. 2 F-Dur, Op. 102

The Russian conductor proves a super stand-in for Shostakovich, while Simon Trpčeski has fun with the Second Piano Concerto.

Dima Slobodeniouk dirige un desafiante programa soviético al frente de la Sinfónica de Galicia para el que contó con el pianista Barry Douglas y el trompetista Jeroen Berwaert.

Sparkling Haydn from the Mahler Chamber Orchestra leads the way into an eclectic programme at the Enescu Festival. 

Vasily Petrenko's time as Chief Conductor of the Liverpool Philharmonic draws to a close with a celebratory evening of Shostakovich, Schreker and more.

Michael Tilson Thomas is an old friend of the LSO and his precise and expressive presence on the podium produced fine musical results all round. 

Not one, but two piano concertos in the Malmö Live Konsertsalen, with a Finnish filling in Patrik Ringborg's Shostakovich sandwich.

The CSO packed much excitement into an hour-long program, featuring folk-inspired works of Walker and Kodály, along with the irresistible charm of Shostakovich’s Second Piano Concerto.

Opening their season with an all-Russian programme, Royal Northern Sinfonia ventured beyond the standard chamber orchestra repertoire, with patchy results.

Daredevil piano playing and luscious Stravinsky at the 47th Istanbul Music Festival.

No one who had ever doubted the stature of the Eleventh could do so after this.

Dvořák’s Slavonic Dances were a treat and Simon Trpčeski was characteristically glistening in Shostakovich, but the surprise package turned out to be a rarely heard work by Kabeláč.

A remarkable feat of memorisation – a whole orchestra and no music! – made for an illuminating and exciting introduction to the Soviet composer's “victory” symphony.

Rustioni and NSO gave a passionate rendition of Tchaikovsky's Fourth Symphony while Russian pianist Toradze performed cracking Shostakovich. 

In a programme guaranteed to draw the crowds the Bournemouth Symphony Orchestra were on sparkling form with dynamic playing too from pianist Boris Giltburg.

Pas même la trentaine et déjà touche-à-tout ! D’aucuns auront été étonnés par la mise en regard, plus ou moins heureuse, de Bernstein avec Chostakovitch. Mais un concert qui fait éprouver les renversantes sonorités qu’on peut extraire du Philhar’...

Ben Gernon impresses with the City of Birmingham Symphony Orchestra in an evocative programme of French and Russian music.

Flags, balloons and musical revelry bring the BBC Proms season to a close. 

Interpretación vertiginosa y febril de la Novena de Beethoven, con una dirección de Gergiev profundamente caprichosa y un Orfeón sobresaliente.  

Denis Matsuev nous invite dans une musique tout en nuances aux côtés de l'ONL, dans un programme qui mêle fougue et douceur.

Daniel conducts RSNO, with Gerstein at the keys, in warm salute to Prokofiev, Shostakovich, and Rachmaninov.

Spirited performances from the Bournemouth Symphony, conducted by Julian Kuerti, in a trio of Russian classics. 

Conductor Andrew Gourlay and pianist Alexandra Dariescu perform Tchaikovsky, Shostakovich and Beethoven with Royal Northern Sinfonia, but the overall result is disappointing.

Surprisingly, this was the Warsaw Philharmonic’s first visit to the Proms, invited as part of this year’s focus on Polish music. About time too, one might say, and particularly so with it being both Lutosławski’s centenary year (and almost Panufnik’s too, shy by a year), and this the farewell concert of outgoing Artistic Director of twelve years, Antoni Wit.

What a concert – the programme and the musicans were sublime. This time, Colston Hall got it spot on with the Polish National Radio Symphony Orchestra. Seeing all of the credits for the orchestra in the back of the programme prepared me for a big and bold sound that was just short of 100 musicians. Each and every one of them contributed to a fantastic sound under the baton of Jacek Kaspszyk.

You could tell that the audience had high hopes for the evening by the packed-out pre-concert talk. The lion's share of this was devoted to a conversation between William Chandler (associate leader of the Royal Scottish National Orchestra) and a very relaxed Steven Osborne, in which they discussed the programme's two piano concertos - and the relatively rare phenomenon of playing two concertos in

There was much to enjoy in this evening's concert by the LSO, who were performing this programme for the second time this week. The two piano concertos of Shostakovich were suitably contrasted - though neither takes itself too seriously, the Second is lighter in character, with a tender slow movement to rival the popular concertos of Rachmaninov.

Shostakovich's first and second piano concertos were coupled with Tchaikovsky's third symphony in the exciting continuation of the LSO's complete Tchaikovsky cycle, under their principal conductor, Valery Gergiev.The concerto for trumpet, piano, and strings (Op. 35) was written in 1933, with Shostakovich playing the piano part at its première in the same year.