Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Fantasie für Violine und Klavier in C-Dur, D.934

Das Kelemen-Quartett überzeugte mit leichter Artikulation, einem weichen Ton und ausgezeichneter, sprechender Agogik und Dynamik, perfekter Koordination. Es agierte aus einem Geist, mit einer Seele.

Le duo a produit un récital époustouflant, passant de Beethoven à Bartók avec la même maîtrise technique et stylistique.

Les deux jeunes musiciens ont livré une performance époustouflante de virtuosité et de complicité dans des œuvres de Beethoven et Schubert.

Pendant près de trois heures, le prince des violonistes russes s'est livré à une démonstration de charme et d'humilité sans pareille. On s'incline ! 

A long evening of very high class playing offered rich rewards in exploring modernist responses to a Debussian challenge. 

La courte mais superbe saison que nous offrait Les Solistes à Bagatelle se clôturait par quatre concerts inoubliables. Retour sur le concert donné par le trio Les Esprits.

If not the ideal first half to precede the Quartet for the End of Time, there could be no quarrel with the execution thoroughout.

Pianist Yuja Wang and violonist Leonidas Kavakos demonstrated an outstanding chemistry

It is not often that a United Nations Messenger of Peace gives a concert in Sydney. Yet this is what happened on Sunday when violinist Midori Gotō played a recital with pianist Özgür Aydin. 

Sakari Oramo swaps his baton for a bow to join Janine Jansen in a fine performance of Prokofiev's double violin sonata; imperfect balance and coordination affect Jansen and pianist Itamar Golan's Prokofiev and Schubert.

Two young musicians studying and performing in Germany presented an interesting programme of piano and violin music at the Schumannhaus in Bonn on Sunday afternoon choosing three pieces which combined piano and violin in interesting variations. All three gave the lead to the piano – with violin as accompaniment.

Another lazy Sunday morning means another quality chamber concert for the Wigmore Hall cognoscenti. This week, their complimentary sherry was served with a cocktail of violin and piano duets, mixing the contrasting flavours of Pärt, Schubert and Richard Strauss, courtesy of child-prodigy-turned-twentysomething virtuoso Chloë Hanslip and established pianist Charles Owen.

For its season finale, Soundings: New Music at the Nasher presented violinist Anthony Marwood and pianist Aleksandar Madzar in a program advertised as “a dialogue of caprice and masterpiece.

Young violinists come in different shapes and styles, and this closing concert of the series of afternoon concerts by young performers in Gstaad Chapel was very different from yesterday’s. Where Albrecht Menzel was all about flamboyant virtuosity, this performance by 22-year old German Lukas Stepp was a far more thoughtful affair.