Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Scherzo Nr. 2 in b-Moll, Op.31

Krystian Zimerman zeigt eine gnadenlose Interpretation von Brahms und Chopin.

Pietro de Maria ist ein Könner der Agogik und des Rubato, der anhaltenden Applaus wohl verdient hat.

Ein Konzert mit diesem Künstler macht einen sprachlos: ein magerer, bleichgesichtiger Junge, der technisch nicht mehr weit davon entfernt ist, sich mit den Meistern seines Faches messen zu können.

Anchored by the piano music of Shostakovich, Evgeny Kissin’s Cleveland recital also explores works of Bach and Chopin. 

Evgeny Kissin delights an overwhelmingly enthusiastic San Francisco audience with Chopin and Shostakovich, but his Bach is less convincing. 

Dans un extraordinaire récital qui faisait la part belle à la musique de Chopin, Jean-Marc Luisada a défié les lois de la gravité.

The Russian pianist returns to the stage of the Accademia Nazionale di Santa Cecilia with a very unusual programme, from a Bach fantasia to Rachmaninov's romances.   

Stephen Hough performs major works by Schumann and Chopin, paired with the works of English composers... including himself.

El joven pianista Seong-Jin Cho, ganador del Concurso Chopin en 2015, aborda en el Ciclo Scherzo un programa brillante y complejo.

If some aspects of his interpretations sounded here more spontaneous than settled, that is one reason we go to live concerts.

Si l'habillage pianistique proposé par Beatrice Rana est somptueux, il n'est pas toujours des plus appropriés... et le maniérisme de la musicienne finit par agacer.

An extraordinary evening in the Großes Festspielhaus as the pianist draws his audience in for a marathon recital of Berg, Gershwin and Chopin. 

Lilya Zilberstein, Gabriela Montero and Martha Argerich were just three of the pianists in this celebration of the piano in Hamburg. 

Nobuyuki Tsujii's debut in the Southbank's International Piano Series proves a mixed success. 

Lang Lang displays his artistry in a mostly Romantic programme.

Enflammer une salle, enfermer Chopin. Les contradictions de Lang-Lang dans son récital lyonnais.

Having watched the web live-stream of Seong-Jin Cho’s performances at last year’s Chopin Competition and subsequently listened to the live CD as well, I already had a fair idea of his playing.

Lang Lang's Chicago recital was technically impressive but lacking in subtlety.

Superstar Chinese pianist Lang Lang's London concert included some unusual repertoire choices which revealed a more reflective side. 

A silver sequined gown and sparkling virtuosity dazzled a good proportion of the audience in the Queen Elizabeth Hall in a recital by Georgian pianist Khatia Buniatishvili. However, can virtuosity for its own sake be too much of a good thing? 

Driving home after Murray Perahia’s stunning recital at the Barbican last night I found myself thinking: why is he such an extraordinary pianist? Some pianists have an incredible rhythmic sense, some technical wizardry, others a delicate musical sensibility, but rarely are all these and many others qualities combined in one artist. But this was how I was left feeling on that drive home.

Michael Ierace's piano recital last night in Linton, Cambridgeshire was revelatory. That adjective is perhaps devalued through overuse, but this young Australian pianist's playing does indeeed reveal the strong, the beautiful, and the unexpected in music one might believe one already knows.

For the final concert in LSO St. Luke’s Chopin 2010 series, Benjamin Grosvenor’s programme was framed by the first two Scherzos, with the lengthy Fourth Scherzo forming the centrepiece of the recital. A current BBC Radio 3 New Generation Artist, at eighteen Grosvenor can no longer be classed as a child prodigy, yet, regardless of age, his is still a remarkable achievement.