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Von , 28 Februar 2023
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28 Feb 2023
Bachtrack top ten: Gioachino Rossini
Von Mark Pullinger
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Von , 23 Februar 2023
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23 Feb 2023
LSO launches Conservatoire Scholarships Programme
Von Bachtrack
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Von , 22 Februar 2023
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22 Feb 2023
Hisako Kawamura is rediscovering music and rethinking programming
Von Leah Broad
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Von , 20 Februar 2023
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20 Feb 2023
Davóne Tines is confronting whiteness in classical music
Von Kurt Gottschalk
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Von , 18 Februar 2023
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18 Feb 2023
Love, death, and Castor et Pollux: György Vashegyi on Rameau
Von Frank Kuznik
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Von , 17 Februar 2023
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17 Feb 2023
Photo gallery: Animal Farm in rehearsal
Von Bachtrack
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Von , 17 Februar 2023
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17 Feb 2023
Breaking the cage from the inside: Dutch National Opera’s Animal Farm
Von Lawrence Dunn
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Von , 17 Februar 2023
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17 Feb 2023
Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival
Von Bachtrack
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Von , 10 Februar 2023
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10 Feb 2023
BRB's Swan Lake: A Picture Guide
Von Deborah Weiss
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Von , 10 Februar 2023
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10 Feb 2023
How Brexit has changed working in Europe for British dancers
Von Deborah Weiss
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Von , 03 Februar 2023
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03 Feb 2023
Matthew Rye
Von Mark Pullinger
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Von , 26 Januar 2023
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26 Jan 2023
Painting pictures at the keyboard: Nikolai Lugansky on Rachmaninov
Von Mark Pullinger
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Von , 06 Januar 2023
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06 Jan 2023
Arvo Pärt: music for humanity
Von Lawrence Dunn
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Von , 05 Januar 2023
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05 Jan 2023
Pourquoi La Valse de Ravel est l’œuvre la plus jouée au monde
Von Tristan Labouret
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Von , 22 Dezember 2022
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22 Dez 2022
Bachtrack top ten: Giacomo Puccini
Von Mark Pullinger
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Von , 21 Dezember 2022
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21 Dez 2022
An alternative choral Christmas
Von Hugh Morris
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Von , 16 Dezember 2022
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16 Dez 2022
Youthful fire in the Tokyo Philharmonic’s 2023 season
Von Bachtrack
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Von , 15 Dezember 2022
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15 Dez 2022
Orchestras on-demand: the online world of Symphony.live
Von Peter Quantrill
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Von , 14 Dezember 2022
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14 Dez 2022
Bucharest’s grand spectacle: the 2023 George Enescu Festival
Von Bachtrack
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Von , 13 Dezember 2022
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13 Dez 2022
Tomáš Netopil: traversing 140 years of Czech music
Von Gianmarco Segato
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Von , 10 Dezember 2022
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10 Dez 2022
England vs France – but with composers
Von David Karlin
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Von , 10 Dezember 2022
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10 Dez 2022
Bachtrack top ten: César Franck
Von Mark Pullinger
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Von , 01 Dezember 2022
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01 Dez 2022
Orchestras galore: the new season at Saffron Hall
Von Bachtrack
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Von , 30 November 2022
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30 Nov 2022
Screaming, singing, sulking: how schoolchildren influenced composers
Von Elodie Olson-Coons
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Von , 30 November 2022
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30 Nov 2022
Janine Jansen leads a feast of Stradivari at Cadogan Hall
Von Bachtrack
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Von , 25 November 2022
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25 Nov 2022
In the eye of the storm: Welsh National Opera’s Aidan Lang
Von David Karlin
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Von , 25 November 2022
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25 Nov 2022
From streaming to total immersion: Idagio’s Till Janczukowicz
Von David Karlin
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Von , 24 November 2022
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24 Nov 2022
The Dawn Has Risen: a playlist of Ukrainian music
Von Lawrence Dunn
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Von , 22 November 2022
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22 Nov 2022
Electric dreams: Sound Unwrapped 2023 at Kings Place
Von Bachtrack
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Von , 16 November 2022
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16 Nov 2022
“It should belong to all of us”: Detlev Glanert’s Prague Symphony
Von David Grundy
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Von , 09 November 2022
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09 Nov 2022
The competition revealing the unsung wealth of Polish music
Von Peter Quantrill
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Von , 08 November 2022
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08 Nov 2022
Coming together: a playlist for the US election
Von Lawrence Dunn
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Von , 08 November 2022
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08 Nov 2022
Lahav Shani: Digging deep in Rotterdam
Von Cameron Kelsall
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Von , 07 November 2022
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07 Nov 2022
Splendour and gold: Regents Opera prepares for new Ring cycle
Von Stephen Pritchard
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Von , 06 November 2022
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06 Nov 2022
Arts Council England funding: winners and losers in dance
Von Graham Watts
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Von , 04 November 2022
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04 Nov 2022
A mixed picture for orchestras as ACE moves focus outside London
Von Jo Johnson
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Von , 04 November 2022
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04 Nov 2022
Contemporary music sliced by Arts Council England’s knife
Von Lawrence Dunn
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Von , 04 November 2022
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04 Nov 2022
Arts Council England’s funding round: its impact on opera
Von David Karlin
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Von , 02 November 2022
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02 Nov 2022
Vimbayi Kaziboni: Music to change your life
Von Lawrence Dunn
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Von , 24 Oktober 2022
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24 Okt 2022
Machine for Contacting the Dead: a playlist for Halloween
Von Lawrence Dunn
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Von , 21 Oktober 2022
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21 Okt 2022
Jörg Widmann: my music develops a life of its own
Von Michael Klier
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Von , 18 Oktober 2022
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18 Okt 2022
And the Indianapolis Violin winner is: Sirena Huang
Von Cameron Kelsall
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Von , 14 Oktober 2022
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14 Okt 2022
Staging Górecki’s Sorrowful Songs
Von Mark Pullinger
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Von , 12 Oktober 2022
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12 Okt 2022
Finding curiosity: DNO Opera Studio’s Rosemary Joshua
Von David Karlin
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Von , 11 Oktober 2022
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11 Okt 2022
Online opera for the hardcore: the Liceu's Valentí Oviedo
Von David Karlin
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Von , 10 Oktober 2022
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10 Okt 2022
International flavours back on the menu at Cadogan Hall
Von Bachtrack
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Von , 07 Oktober 2022
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07 Okt 2022
Impressions from the International Violin Competition of Indianapolis
Von Cameron Kelsall
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Von , 06 Oktober 2022
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06 Okt 2022
Sidi Larbi Cherkaoui à Genève, chorégraphe dans une ville-carrefour
Von Laurine Mortha
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Von , 05 Oktober 2022
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05 Okt 2022
Ralph Vaughan Williams’ Fantasia on a Theme of Thomas Tallis
Von Mark Pullinger
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Von , 05 Oktober 2022
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05 Okt 2022
The power and the glory: Vaughan Williams, the transcendent symphonist
Von Chris Garlick