Voici 50 des 2542 articles
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25 nov. 2022
From streaming to total immersion: Idagio’s Till Janczukowicz
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24 nov. 2022
The Dawn Has Risen: a playlist of Ukrainian music
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22 nov. 2022
Electric dreams: Sound Unwrapped 2023 at Kings Place
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21 nov. 2022
Bachkantate Wachet! betet! betet! wachet!, BWV70
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16 nov. 2022
“It should belong to all of us”: Detlev Glanert’s Prague Symphony
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09 nov. 2022
The competition revealing the unsung wealth of Polish music
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08 nov. 2022
Coming together: a playlist for the US election
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08 nov. 2022
Lahav Shani: Digging deep in Rotterdam
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07 nov. 2022
Splendour and gold: Regents Opera prepares for new Ring cycle
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06 nov. 2022
Arts Council England funding: winners and losers in dance
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04 nov. 2022
A mixed picture for orchestras as ACE moves focus outside London
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04 nov. 2022
Contemporary music sliced by Arts Council England’s knife
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04 nov. 2022
Arts Council England’s funding round: its impact on opera
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02 nov. 2022
Vimbayi Kaziboni: Music to change your life
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24 oct. 2022
Machine for Contacting the Dead: a playlist for Halloween
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21 oct. 2022
Jörg Widmann: my music develops a life of its own
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18 oct. 2022
And the Indianapolis Violin winner is: Sirena Huang
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14 oct. 2022
Staging Górecki’s Sorrowful Songs
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12 oct. 2022
Bachtrack top ten: Ralph Vaughan Williams
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12 oct. 2022
Finding curiosity: DNO Opera Studio’s Rosemary Joshua
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11 oct. 2022
Online opera for the hardcore: the Liceu's Valentí Oviedo
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10 oct. 2022
International flavours back on the menu at Cadogan Hall
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07 oct. 2022
Impressions from the International Violin Competition of Indianapolis
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06 oct. 2022
Bachkantate Wer weiß, wie nahe mir mein Ende, BWV27
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05 oct. 2022
Ralph Vaughan Williams’ Fantasia on a Theme of Thomas Tallis
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05 oct. 2022
The power and the glory: Vaughan Williams, the transcendent symphonist
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05 oct. 2022
Fight or flight? Violinists on tackling The Lark Ascending
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05 oct. 2022
The work of a lifetime: The Pilgrim’s Progress
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04 oct. 2022
On a voyage of self-discovery: Judit Varga
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03 oct. 2022
The vulnerability of being centre stage: Alexandra Segal
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01 oct. 2022
Bachkantate Schweigt stille, plaudert nicht, BWV211
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30 sept. 2022
Dancing into the music: Koen Kessels and Mikael Karlsson
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29 sept. 2022
A soloist in the making: an interview with Kris Garfitt
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28 sept. 2022
“I'll never forget it”: Violinist Maria Marica
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22 sept. 2022
Another name to watch: The young cellist Benjamin Kruithof
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17 sept. 2022
Bachkantate Jauchzet Gott in allen Landen, BWV51
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16 sept. 2022
Medea returns home to headline Greek National Opera season
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15 sept. 2022
Der Traum des Gábor Boldoczki: Musik für jedermann
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14 sept. 2022
Georgiy Derbas-Richter: Looking for the soul of music
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13 sept. 2022
Amy Lam at 92NY: Programming for a diverse and curious audience
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09 sept. 2022
LuganoMusica 2022–23: a season that caters for all tastes
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07 sept. 2022
Star soloists in Iceland Symphony Orchestra's 2022-23 season
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02 sept. 2022
Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker
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02 sept. 2022
Autumn-Winter 2022 at LSO: imagination and talent
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24 août 2022
Anna Lapwood: top ten organ works
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23 août 2022
Stars on stage for the Concertgebouw 2022–23 season
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19 août 2022
Anna Clyne’s Sound and Fury finally arrives in Hong Kong
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11 août 2022
Bachkantate Es ist dir gesagt, Mensch, was gut ist, BWV45
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05 août 2022
July at Bachtrack: English reviews highlights
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05 août 2022
Julio en Bachtrack: Lo más destacado de las reseñas españolas
