| Sonntag 22 November 2026 | 14:00 |
| Opéra national de Paris | ||
| Pablo Heras-Casado | Musikalische Leitung | |
| Calixto Bieito | Regie | |
| Rebecca Ringst | Bühnenbild | |
| Ingo Krügler | Kostüme | |
| Michael Bauer | Licht | |
| Orchestre de l'Opéra national de Paris | ||
| Chœurs de l'Opéra national de Paris | ||
| Sarah Derendinger | Video | |
| Bettina Auer | Dramaturgie | |
| Ching Lien Wu | Chorleitung | |
| Andreas Schager | Tenor | Siegfried |
| Tamara Wilson | Sopran | Brünnhilde |
| Johannes Martin Kränzle | Bariton | Gunther |
| Sinéad Campbell Wallace | Sopran | Gutrune, Dritte Norn |
| Mika Kares | Bass | Hagen |
| Brian Mulligan | Bariton | Alberich |
| Ève-Maud Hubeaux | Mezzosopran | Waltraute |
| Aude Extrémo | Mezzosopran | Erste Norn |
| Marie-Andrée Bouchard-Lesieur | Mezzosopran | Zweite Norn |
| Margarita Polonskaya | Sopran | Woglinde |
| Isabel Signoret | Mezzosopran | Wellgunde |
| Katharina Magiera | Mezzosopran | Flosshilde |
In Götterdämmerung, Siegfried takes leave of Brünnhilde to travel the world and accomplish new feats. These will be his last: during his journey along the Rhine, he falls victim to a sinister plot hatched by Alberich and his son Hagen. The downfall of the gods is now inevitable...
Bringing the Ring cycle to a close with Götterdämmerung, its most metaphysical chapter, Richard Wagner unleashes music as blazing as the pyre on which Brünnhilde immolates herself. Emotion runs equally high, as in Siegfried’s Funeral March, one of the score’s most striking orchestral passages.
Premiered in 1876 at the inaugural Bayreuth Festival, the work is presented here in a production by Calixto Bieito, thus concluding his vision of the Ring Cycle for the Paris Opera, begun in 2025.
