Beethovenian japes and sleepy Berlioz

Von Mark Pullinger, 02 April 2017

Laden, bitte warten...

Veranstaltung anzeigen

“a big, silky sound, Brahmsian in sheen”

Rezensierte Veranstaltung: Barbican Hall, London, am 1 April 2017

Beethoven, Auszüge aus den Streichquartetten

Adams, Absolute Jest, for string quartet and orchestra

Berlioz, Symphonie fantastique, Op.14

Berlioz, La Damnation de Faust Op. 24: Rákóczy March

Alan Gilbert, Musikalische Leitung

Frank Huang, Violine

Sheryl Staples, Violine

Cynthia Phelps, Viola

Carter Brey, Cello

New York Philharmonic

Yo-Yo Ma spielt Salonen in Hamburg

Zenaida des Aubris, 3rd April

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

***11

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Beethovenian japes and sleepy Berlioz: New York Philharmonic continues its Barbican residency