The Royal Ballet and Rambert present Aisha and Abhaya

Von Graham Watts, 24 Januar 2020

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“high praise is also due for Sharon Eyal’s compulsive, throbbing choreography”

Rezensierte Veranstaltung: Royal Opera House: Linbury Theatre, London, am 23 Januar 2020

Aisha and Abhaya (Sharon Eyal, Gai Behar)

Rambert

Kibwe Tavares, Regie

Uldus Bakhtiozina, Kostüme

Hannah Rudd, Tanz

Edit Domoszlai, Tanz

Salomé Pressac, Tanz

Maëva Berthelot, Tanz

Angela Wynter, Tanz

Berauschend, fesselnd und voll wilder Eleganz: NDT’s Raw are the roots

Michael Klier, 11th May

Sharon Eyal und Gai Behars neue Choreographie, Jakie, sprengt den Rahmen eines herkömmlichen Tanzabends.

*****

Ein pulsierendes Herz: L-E-V bei Julidans in Amsterdam

Michael Klier, 13th July

Sharon Eyal und Gai Behars Choreographie erzählt von (Liebes)Glück und Einsamkeit.

****1

Deutung und Bedeutung: Paradigma am Bayerischen Staatsballett

Rainer Zerbst, 4th January

Ein unvergesslicher Abend, der zeigt, wie unterschiedlich Musik in Tanz aufgehen kann und wie klein der Unterschied zwischen abstraktem Tanz und konkreter Deutung sein kann.

*****

Delay the Sadness, la voix intime de Sharon Eyal à La Villette

Laurine Mortha, 27th November

La danseuse et chorégraphe israélienne propose une création très personnelle, faisant écho à la disparition de sa mère. Une œuvre géniale, qui renouvelle son style tout en en conservant les codes si caractéristiques.

*****

Sharon Eyal’s Into the Hairy at Sadler’s Wells

Deborah Weiss, 13th November

Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.

***11

Sharon Eyal and Gail Behar's R.o.s.e: innovative, but disappointing

Graham Watts, 10th July

R.o.s.e is an immersive experience of a performance within a rave – not the most enjoyable way to appreciate the professional dancers.

**111

Weitere Kritiken...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.