Verdi's Attila returns to San Francisco… with a vengeance!

Von Jeffery S. McMillan, 18 Juni 2012

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 12 Juni 2012

Verdi, Attila

San Francisco Opera

Nicola Luisotti, Musikalische Leitung

Gabriele Lavia, Regie

Alessandro Camera, Bühnenbild

Ferruccio Furlanetto, Attila

Lucrecia Garcia, Odabella

Diego Torre, Foresto

Quinn Kelsey, Ezio

Samuel Ramey, Leone

Nathaniel Peake, Uldino

Ein lohnenswerter Opernmarathon in San Francisco

Maria Nockin, 18th November

Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.

*****

Unmasking illusions: SF Opera’s Ballo mirrors life’s motley

Thomas May, 24th September

An excellent cast and smart, engaged direction make for an auspicious season launch in San Francisco Opera’s production of one of Verdi’s most sophisticated creations.

****1

San Francisco Opera's The Handmaid's Tale offers hope

Lois Silverstein, 14th September

John Fulljames directs a new production of Poul Ruders' uncompromising operatic take on Margaret Atwood’s celebrated novel.

****1

Antony and Cleopatra: Adams offers a Shakespeare speed-read

Mark Pullinger, 18th September

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

***11

San Francisco Opera offers a dark, powerful Rusalka

Edward Sava-Segal, 22nd June

Both vocally and instrumentally the performance was a high-class one

****1

Exquisite Handelian singing in San Francisco Opera's Orlando

Edward Sava-Segal, 21st June

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.

****1

Weitere Kritiken...

Jeffery S. McMillan

Jeffery holds an MA in Jazz History and Research from Rutgers University and spent ten years as an archivist for the Metropolitan Opera, where he helped develop the MetOpera Database. He currently lives in the San Francisco Bay Area and writes about opera and jazz for publications including Opera News and Musical America.