Eavesdropping on Augustin Hadelich playing Bartók

Von Sydney Boyd, 27 März 2015

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Jones Hall, Houston, am 26 März 2015

Mendelssohn Bartholdy, Ein Sommernachtstraum: Ouvertüre, Op.21

Bartók, Violinkonzert Nr. 2, Sz 112

Paganini, Caprice no. 5 for solo violin in A minor, Op.1 no.5

Mozart, Symphonie Nr. 39 in Es-Dur, KV543

Gilbert Varga, Musikalische Leitung

Augustin Hadelich, Violine

Houston Symphony

Ein französischer Abend mit dem Houston Symphony Orchestra

Stefan Pillhofer, 6th February

Fabien Gabel leitet als Gastdirigent ein Konzert mit Werken aus seiner Heimat.

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Amerikanische Lässigkeit in München

David Renke, 19th March

Das Houston Symphony Orchestra unter Andrés Orozco-Estrada brillierte mit swingendem Bernstein und dramatischem Dvořák.

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Showpieces star in Houston Symphony’s memorable season opener

Phillip Nones, 20th September

Celebration is on the menu at the Houston Symphony Orchestra’s season opening weekend of concerts, conducted by Juraj Valčuha.

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Death and lunacy in Juraj Valčuha's Houston Symphony program

Kurt Gottschalk, 15th February

A mad March hare, a murdered child, a hypochondriac prince, and a roomful of dead wives make for a stellar concert by the Houston Symphony Orchestra.

*****

Brilliant Bach from Jane Glover and the Houston Symphony

Sam Jacobson, 3rd April

The Houston Symphony showed the many sides of Bach in a festive performance over the Easter weekend.

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Bach by arrangement: Houston Symphony under Esa-Pekka Salonen

Kurt Gottschalk, 27th March

Listening to arrangements of Bach is like Dostoevsky’s challenge not to think about polar bears. It’s best to put the Bach out of your thoughts, even if “the cursed thing will come to mind every minute.”

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Sydney Boyd

Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.

Move aside Mozart: Eavesdropping on Augustin Hadelich playing Bartók