Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

A musically and visually opulent La bohème from Welsh National Opera

Von Rohan Shotton, 30 Januar 2017
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: Wales Millennium Centre, Cardiff, am 28 Januar 2017
Programm
Puccini, La bohème
Darsteller
Welsh National Opera
Manlio Benzi, Musikalische Leitung
Annabel Arden, Regie
Stephen Brimson-Lewis, Bühnenbild
Dominick Valdés-Chenes, Rodolfo
Marina Costa-Jackson, Mimì
Gary Griffiths, Marcello
Lauren Fagan, Musetta
Gareth Brynmor John, Schaunard
Michael Clifton-Thompson, Parpignol
Martin Lloyd, Alcindoro
Howard Kirk, Benoît
Jihoon Kim, Colline
Welsh National Opera Chorus
Welsh National Opera Orchestra
Weitere Oper Kritiken
Pelléas et Mélisande
Simon Rees, 29th May
Mélisande als Lulu in David Pountneys unbefriedigender Inszenierung von Debussys Pelléas et Mélisande für die Welsh National Opera.
****1
A magnificent Tosca from Welsh National Opera at the Mayflower
David Truslove, 3rd October

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw. 

*****
Bancroft and BBCNOW at the Proms: a deeply satisfying Mahler 3
David Karlin, 11th August
Bancroft and the BBC National Orchestra of Wales provide a Mahler 3 of exceptional clarity and forward momentum, with terrific posthorn solos from Corey Morris and Beth Taylor an outstanding soloist.
****1
A dark and disturbing Rigoletto from WNO at the Mayflower
David Truslove, 14th November

Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery. 

****1
WNO stages Death in Venice for the first time and it’s a triumph
Mark Valencia, 7th March
Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.  
*****
Musical performances keep WNO's new Così afloat
Mark Valencia, 6th March
Max Hoehn takes Così‘s subtitle, La scuola degli amanti (The School for Lovers), and connects it to Monty Python’s sex education sketch in The Meaning of Life. What larks, eh? 
***11
Weitere Kritiken...
Kritiken von
Annabel ArdenDominick Valdés-ChenesGareth Brynmor JohnGary GriffithsGiacomo PucciniHoward KirkJessica MuirheadJihoon KimLa bohèmeLauren FaganManlio BenziMarina Costa-JacksonMartin LloydMatteo LippiMichael Clifton-ThompsonWelsh National OperaWelsh National Opera ChorusWelsh National Opera Orchestra
Verwandte Artikel
Loading image...
Bachtrack feiert 25.000 Rezensionen
Loading image...
Elena Stikhina über Salzburg, Tosca und die Realität des Sängerlebens
Loading image...
Elim Chan: vom Zauberlehrling zur Proms Queen
Loading image...
Puccini und die Moderne: ein Komponist des 20. Jahrhunderts
Mehr von Rohan Shotton
Loading image...
A simple but richly detailed Cunning Little Vixen at the Royal Northern College of Music
Loading image...
Celestial journeys with Kahchun Wong and the Hallé
Loading image...
John Storgårds leads the BBC Philharmonic through Shostakovich thickets
Loading image...
Sir Simon Rattle opens the Bavarian RSO tour on his home turf
Rohan Shotton
Rohan Shotton
Rohan has reviewed concerts and opera across the UK and Europe, but chiefly in Manchester, where he enjoys conducting and playing percussion and piano. He works as a hospital doctor, having studied in St Andrews and Manchester, and tweets as @RohanShotton.